Pagan Paths


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Paths Blogs

Specific paths such as Heathenism, blended traditions, polytheist reconstructionism, etc.

Posted by on in Paths Blogs
Sif's Wheat, Part 2: Her Idol

The Sif doll seated on the harvested wheat. This is a Lithuanian doll that I bought in an amber shop along with some amber in 1989. Shortly after I dedicated part of my garden to Sif last year, I was walking past the display of folk art in my house where I used to display this doll and it called to me to dedicate it to Sif. So I did a dedication ritual, which I related in my post A Doll for Sif. I moved the doll to my Spiritual Souvenir display, which is kind of a wall altar.

I almost always make, remake, or repurpose things to dedicate rather than buying things new for that purpose. I feel that conserving resources is part of how I live as a heathen.

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Peru, Ancient Ceremonial sites of Ollyantaytambo

I was in my dining room, sorting out bills, when the phone rang. It was a dear friend. “I’m just looking into booking a ticket to Lima, do you want to come?" It was 2006 and I had recently retired from work at a bank and was looking for things to do. I called my New York boyfriend and left a message. “I’m going to Peru!”

In two days we were off and tour guides hired. What a thrill! I had always dreamed of going to Peru, knowing I had a spiritual home there to be discovered, uncovered, and analyzed. What would my insights be this time? Having researched Peru and its connection to the Pleiades star system, I knew the significance of Lake Titicaca, Cusco, and Machu Pichu. My own connection to the Pleiades has been strong since I took Reiki classes. During the first class, I saw myself walking on another plane of existence among Greek-like columns. There were beings in long white robes walking about a beautiful rectangular pool. Crystals sparkled at a water fountain. I discovered that I had been transported to the Pleiades star cluster, to Alcyone, a place of golden Light, and it is my home for 500 years when I  return. My first Reiki class also happened to coincide with the Harmonic Convergence in August of 1987.

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Posted by on in Paths Blogs
Sif's Wheat, Part 1: Harvesting in June

The Wheel of the Year is different for me than it was for the ancient Northern Europeans. I live in the Mojave Desert in southern Nevada. Part of respecting nature is respecting local conditions rather than trying to stick to what a book says should be because that's the way the ancestors did it. 

Last December, as I related in my blog post Planting Heritage Wheat for Sif, I planted locally adapted arid-lands wheat in a small garden area dedicated to her. Here are my results. I harvested this wheat in early June. 

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Recent Comments - Show all comments
  • Erin Lale
    Erin Lale says #
    Hi, thanks, I haven't ground and baked it into bread yet. At the moment it's on the table as a display for Sif. I'm posting a pic
  • Anthony Gresham
    Anthony Gresham says #
    I've never tried growing wheat before; though I did try growing sweet corn one year, but it looks fine to me. The real proof is i

Posted by on in Paths Blogs

 

Inline image 9 

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Problem Glyphs: Solving Issues Through Art

I first found out about Eliza Gauger's "Problem Glyphs" project through my partner Nathaniel, and I was instantly fascinated and intrigued.  They had been in a band together years previous, and he continued to follow her artistic pursuits after that on tumblr and Patreon

How it works is that since 2013, people have anonymously submitted to her some sort of problem or issues they have been facing.  She in turn creates an image to ward against that problem. In her words, "These symbolic illustrations draw on my background in esoteric occultism, aesthetic symbolism, mythology, psychology, and hedge "magic" to encourage, support, and counsel the people who seek them out."

Nathaniel had anonymously submitted to Eliza his lifelong struggle with a faulty memory and its possible ill effects on his health. (I lovingly call him my goldfish.) He is a diabetic, and had a hard time remembering to take his medication, despite a variety of tactics.  Eventually, his turn came and the Glyph was created.  He decided to get it tattooed on his right arm, where he can see it every day, and I'm glad to say it's worked beautifully. (It was also his first tattoo, and we're working on his next one...)

The Problem Glyphs have a strong style and imagery all of their own, yet pull from a diverse mythology and encyclopedia of symbols.  As an artist, designer, and sigilmaker, I love the amount of symbolism and movement she packs in to a single image, without overdoing it.  It's just the right amount of linework, balanced, and clear.

Besides the effective use of line and contrast, it's the process of making them from start to finish that pulls in the magick.  The querent expresses their problem, the artist considers it and carefully crafts the glyph, and releases it.  The querent is not only rewarded with an image to reflect upon, but it's the core fact that someone else, outside of them, contemplated their plight, and produced a piece of artwork based upon it. Just that exercise in itself goes a long way to helping someone overcome an issue, regardless of the art itself.  That someone else took the time to care, to think about THEM, and gave them a physical reminder of that process goes a long way in strengthening the spirit.

In this blog, I've talked about the magick that can be involved when an artist creates something for their own needs and visions, as well as for the Gods.  There's another level of fascinating interaction that occurs when the work is created specifically for someone else.  And in the case of the Problem Glyphs, we can add on the additional level as us, the bystanding audience, who upon viewing the images and their source issues become involved as well. Suddenly, we too are thinking about the querent, their issues, and our own relation to it.  Which I believe adds more energy and power to the image and those who it is made for.

There is a currently a kickstarter for making a book featuring 200 of the Problem Glyphs that Eliza has created so far.  Check it out here, it's almost funded with a week left to go. 

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Posted by on in Paths Blogs
Getting connected...

Every space whether it is your back garden, your living room, the city park or the middle of a field it all has its own unique energy and history.  

I live on the edge of a large city in a terraced house.  My house was built in 1920 but before that there was another house on the land and before that and before that.  In fact as I also live near the sea, the city being a port it has attracted dwellings probably since man needed a roof over his head and somewhere nearby to catch food (i.e. the sea).  The first recorded dwellings date back to the late 9th Century and we have apparently had Romans, Normans, Saxons and all and sundry living here.  So the land itself holds a huge amount of memories and echoes from our ancestors, oh the tales it could tell…

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It occurs to me that it might be of interest to say a little something about the name of this blog - "The Three Cauldrons." The name comes from the content and theme of a fascinating little collection of poetry and prose found complete only in one manuscript (TCD MS H.3.18), small parts of which which were copied in other texts. It was first edited some years ago and entitled by the editor (not the original author or scribe), 'The Caldron of Poesy,' a somewhat out-of-date title (and spelling) that has nonetheless been used by subsequent editors.

A more appropriate title would be 'The Three Cauldrons,' as this is the subject of the text. Although the extant manuscript dates to the sixteenth century, the content clearly goes back to an Old Irish original, probably dating to the first half of the eighth century. Students of early Irish belief will remember that the filid (poet-seers) were in existence at this time, as well as the druids (who had legal status into the ninth century, although their influence seems to have been waning by that point).

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Recent Comments - Show all comments
  • Jamie
    Jamie says #
    Ms. NicLeoid, Thanks for sharing! I'm a Platonist Hellenist now, but owing to my heritage I've read many books about ancient Celt
  • Tony Lima
    Tony Lima says #
    What Ireland needs to do concerning the Romantic explorations is in the mannerisms involving mating 100%, this can be straightened
  • Tony Lima
    Tony Lima says #
    From what I understand, the Irish culture is indirectly driven by Psycho-electromagnetism - a superior nature in self-realization,

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