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Subscribe to this list via RSS Blog posts tagged in music

Posted by on in SageWoman Blogs
Exciting Homecomings - A Triad

Three things I'm excited about exploring in 2018:

Elen of the Ways - I discovered this goddess a little over a year ago, and felt instant belonging and surprise that I hadn't heard of her before, and that I hadn't thought to go looking for such a goddess. It felt like remembering I have a mother, or something. :) A horned/antlered goddess and lady of the green... how perfect for me! I've been reading everything I can about her, and I signed up for a now-filled course offered by a priestess of Elen (Walking the Antlered Road) that includes a year of lessons, journaling, movement-meditations, soundings, chants with wrist malas, and an oracle deck. It has been amazingly exciting to get to know Elen, and to start to see how many of the goddesses I've already been drawn to are probably-to-definitely versions of her paleolithic, pan-Indo-European (and perhaps beyond) presence and enduring veneration. The Welsh name, Elen, is but one. You might be as surprised and delighted as I to discover where the others have been all this time! So I recommend Caroline Wise's book, "Finding Elen: The Quest for Elen of the Ways," as well as Elen Sentier's books, and I will be writing more about her in this blog in 2018, and suggesting the connections I have seen.

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Posted by on in Studies Blogs
Winter Crone

Cailleach walks the winter hills: in an old Gaelic song 'Cailleach Beinn a' Bhric' she has 'a great grey grisly paw' and is cold and wet, but cares for her deer. The hunter who sings to her laments her keeping the deer from him. This version is from Songs & Hymns of the Gael:

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Music's Magic and Power

 I'm having my own private Stevie Wonder festival. 

When I'm giving clients shamanic treatments (click here for info about them), I might listen to his music. It is so happy that it makes my spirit soar, which feeds my magic. 

 

Or, when I'm doing physical therapy exercises, the sheer joy in Stevie Wonder's music loosens my muscles and joints, so the physical therapy is all the more effective. 

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Posted by on in Culture Blogs

Tonight Canada had a moment kind of like the moon landing or Woodstock or JFK's assassination.  Years from now we'll be telling our grandchildren where we were when we watched The Tragically Hip's farewell concert.

Yeah, you probably don't even know who they are, do you?  At the most you're scratching your heads and muttering, "Yeah, that's some Canadian band, right?"  Yeah, okay, you're right, and you're horribly wrong too.  For about thirty years the Hip has been writing Canada's soundtrack for life.  We often wondered why they never seemed to catch anywhere outside of our big-but-small country, especially since they would fill every stadium to standing room only when they played in any major Canadian city.  But now we know the answer.  It's because they're as Canadian as mounties, beavers and inukshuks; as Montreal steak and poutine; as curling and lacrosse and hockey. Probably it's just that no one else but us could fully appreciate them.

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Recent Comments - Show all comments
  • Jamie
    Jamie says #
    Ms. Morrison, Thanks for sharing! I have always been fascinated by Canadiana. I've heard of The Tragically Hip, but have never li
  • Mylène Chalifoux
    Mylène Chalifoux says #
    ...it is in total amazement that I am reading your post now. I woke up this morning, needing to connect with my spiritual essence

Posted by on in Culture Blogs
Songs of the Northern Tribes

In support of Gaia Gathering: the Canadian National Pagan Conference, thirteen artists have come together to create an anthology of Canadian Pagan music and spoken word.  Only available online, this album spans thirty years and includes some of the best of out-of-print Pagan classics as well as some up-and-comers.  All artists have donated the use of their work: all profits from the sale of the album go directly to support the Conference.

Featured artists: Vanessa Cardui, Tara Rice, the Ancient Gods, JD Hobbes, Brendan Myers, Dano Hammer, the Dragon Ritual Drummers, Gallows Hill, Heather Dale, Tamarra James, Raven's Call, Sable Aradia,and Parnassus (Chalice & Blade).

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Posted by on in SageWoman Blogs

b2ap3_thumbnail_squat-to-standing.jpgI've aways loved the Kiki Dee Band's song, written by Bias Boshel, "I've Got the Music in Me."

Huh? The music that is in you — where is it? How do you tap into it?

If you're asking me, belly queen as I am, I'll say we tap into our music — into every expression of our life force — by deepening into our body's center, the sourcepoint of our creative energy. We cultivate our relationship with this soul-power as we honor, rather than shame, our bellies. We activate it with movement and breath.

In The Woman's Belly Book, one of the many inquiries for deepening into our body's center is Chapter Eleven's "Draw Out Your Deepest Knowing."

The guidelines for this activity include: 

  • Sitting comfortably, enter into the Centering Breath. Notice any images and sensations that come into your awareness as you focus your attention within your body’s center.

  • Consider your arm to be an extension of your belly, a pipeline ready to carry information from your body’s center through to your hand and out onto paper. Maintaining your awareness in your belly, take the colored markers that appeal to you. Let your arm and hand move across the paper, spilling out colors, shapes, and lines.

  • Give yourself all the permission you need to make your marks freely, without judgment or restriction.

These same guidelines apply when I'm at the piano, improvising — letting music arrive without planning, without thinking. Just as with drawing, my arms serve as pipelines, allowing the flow of energy and information from body's center to keyboard.

The music that emerges in this way is so heart- and soul-satisfying. As one of my mentors, Mark Kelso of Muddy Angel Music, likes to say: The fun isn't so much in playing music; it's in being played by the music.

There's a delicate balance between improvisation and composition. Certainly, each can inspire the other.

By my lights, as improvisation offers sensory experience of the life force concentrated in the body center, it expresses the energy of the Sacred Feminine.

Composition can likewise convey the sense of the Sacred Feminine. In this clip from Ethan Hawke's magnificent film, "Seymour: An Introduction," hear what virtuoso pianist Seymour Bernstein says about Beethoven's expression of — and ambivalent relationship with — the feminine:

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Posted by on in Studies Blogs
Sumer Is Icumen In

I thought I'd get the jump on Beltane and talk about everyone's favourite May Day song (even if you're not on Summer Isle) as it is a great piece of history. 'Sumer is icumen in' also known as the 'cuckoo song' embodies that glorious sense of happiness that the first real warm days offer us. Here in the north we still can't quite believe that summer is a-coming, which makes me want to sing it even more.

This is the earliest secular song recorded in English in the Middle Ages and appears in a 13th century manuscript along with a Latin version. Here's the original lyrics:

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Recent Comments - Show all comments
  • Aline "Macha" O'Brien
    Aline "Macha" O'Brien says #
    Thanks for this. It's one of my favorite May songs, too. I've taught it many, many places around the country. I think the dir
  • Kate Laity
    Kate Laity says #
    That sounds wonderful. If it helps any, early English is simpler than modern English which has even more influences. Blessed Belta

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