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Subscribe to this list via RSS Blog posts tagged in Crete

Posted by on in Paths Blogs
What's the big deal about bronze?

The ancient Minoans lived during the Bronze Age; you've probably heard that somewhere. But what, exactly, was the Bronze Age and why is it a big deal?

You may have noticed that periods of history (and prehistory) are denoted by the main substance with which the people of the time made their tools: the Old and New Stone Age (that's the Paleolithic and Neolithic), the Copper-Stone Age (that's the Chalcolithic Age, if you're looking it up in a history book), the Bronze Age, the Iron Age. We still use iron tools - those knives in your kitchen are stainless steel, a form of iron - though some people have tried to style us modern folks as the Silicon Age. Personally, I'd have a hard time making a sandwich with a silicon chip.

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Posted by on in Paths Blogs
Are those things really horns?

While the labrys (the double-bladed axe) is certainly iconic of Minoan civilization, so is another symbol-cum-ritual-object: the sacred horns. (See the image at the top of this blog post.) Found on the rooftops of the temple complexes and peak sanctuaries of ancient Crete as well as in the frescoes and other art, this unique symbol was christened the Horns of Consecration by Sir Arthur Evans a century ago. But are they really horns? And even if they are, what do they stand for and how were they used?

Over in Ariadne’s Tribe, we’ve been discussing this issue for quite a while. One issue we’ve noticed is that the sacred horns don’t look at all like real cow or bull horns.

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Posted by on in Paths Blogs
Minoan Cosmetics: Do It Yourself!

Many people in the ancient world used cosmetics: lotions, oils, and creams to moisturize the skin; perfumed oils for their scent; and color cosmetics (makeup) for lips, cheeks, and eyes. You’ve probably seen the colorful images of the ancient Egyptians with their black eyeliner, and they weren’t alone in wanting a little personal adornment. The Minoans were no different. Residues found in containers from a number of ancient sites in Crete give us an intimate look into the personal habits of the Minoans and can allow us to make our own cosmetics in very much the same way as they did.

If you have a chance to visit one of the museums that house Minoan artifacts, you’ll find a number of pottery and stone cosmetics containers listed as containing residues. These include the Heraklion Archaeological Museum and the Archaeological Museum of Rethymno in Crete; the British Museum; and the Metropolitan Museum of Art. There are probably others as well. So let’s get on with the details and recipes, shall we?

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Posted by on in SageWoman Blogs

dove-2015Every year, it seems, I'm bewildered by all the fuss about Christmas. And every year I eventually rediscover, or revive, a meaning for the season.

This year, as in other years, it's happened a day or two before December 25, and now I'm scrambling to join the Christmas cheer. This is the story...

I'd recently finished reading Margaret Starbird's Magdalene's Lost Legacy: Symbolic Numbers and the Sacred Union in Christianity. Another of her books about Mary Magdalene, The Woman with the Alabaster Jar: Mary Magdalen and the Holy Grail, was a major inspiration when I was writing The Woman's Belly Book, so intrigue led me to read more of her work.

In Magdalene's Lost Legacy, Starbird presents the system of number-coding called gematria, how it figured in the writings of early Christians, and what it means for understanding Mary Magdalene and the return of the Sacred Feminine to Western culture.

These subjects are, of course, intricate and deep. Here's how I've rolled them into this year's Christmas card — and how they've spiralled into the Source Energy, the pro-creative power, dwelling within our body's center:

What's gematria? The way I'm understanding it, gematria is an ancient practice that links mind to spirit by relating letters to the vast significance of number.

Greek and Hebrew alphabets imbue each letter with a numerical value. Summing the numbers assigned to each of the letters in a word reveals another number, another dimension of meaning, another connection to human experience. The Greek word for “dove” is peristera, written περιστερα, with these numerical values:

peristera

These Greek letters spelling “dove” add to 801. The number 800 corresponds to the Greek omega (Ω); the number one corresponds to alpha (α). With gematria of 801, the dove is the “Alpha and Omega,” the unity of beginning and end. Reaching from first to last, it is completion, fulfillment.

What's more, the sum of the numerals comprising 801 is 9, a trinity of threes, the epitome of three. Three carries the significance of the circle, the unconditional acceptance that encompasses both this and that. Three enfolds dualities into one wholeness: the Sacred Marriage yields the Divine Child.

For the early Greeks, the dove signalled the presence of Aphrodite, embodiment of love and beauty — she who brings life, death, and peace to the world. Early Christians understood the dove to signify Sophia, Holy Wisdom; they later adopted the dove as sign of the Holy Spirit.

The gematria of “Holy Spirit” (το αγιον πνευμα) is 1080. That same number, its numerals adding to nine, is the measure of the moon‘s radius in miles. Given numbers one, eight, and nine, gematria links Holy Spirit with moon, goddess, Sophia, the feminine — and with the dove.

In this light, the dove (801) coming to rest upon Jesus’ shoulder at his baptism in the River Jordan heralds the descent of the Holy Spirit (1080) — Sophia — into his nature. Indeed, early Gnostic Christians understood Sophia to be incarnate in the dove sparking Mary’s pro-creative power to birth Jesus as the child of Holy Wisdom.

Pro-creative power, yes.

That's what more or less fits into a Christmas greeting. For the illustration, I filled the dove with a pattern of Chinese spirals and sent her flying over a shrine in which doves perch atop three pillars. This miniature clay shrine, found in Knossos, Crete, dates to 2000 years before the birth of Jesus.

What about those pillars?

As the Rite for Reconsecrating Our Womanhood was developing, I called number 13 in this sequence of belly-energizing exercises "Stretch Up/Press Down," describing its way of tracing a vertical axis.

As I did with each of the 23 moves in the sequence, I paired this gesture with an ancient artifact conveying a sense of the Sacred Feminine. In this case, I paired the move with an image of pillar, recalling Sophia's "pillars of wisdom":

Wisdom has built her house,
She has hewn out her seven pillars...
— Proverbs 9:1

I made a clay replica of the three-pillar shrine presented in Elinor Gadon's The Once and Future Goddess. (For more detail, see the color photograph of the original, displayed at Greece's Heraklion Archaeological Museum, here.) I also sketched the shrine as a line drawing.  


 Gadon fig 66Clay replica informed by photo in Elinor Gadon's The Once and Future Goddess

 

Incorporating that sketch, the Rite for Reconsecrating Our Womanhood shows Stretch Up/Press Down as a gesture of affirmation: As we let go of preconceptions and expectations, we can attune more nearly to our inner wisdom, to Sophia:

text-line drawing


Still, pillars are powerful phallic emblems, and doves perched upon pillars show us something about the Sacred Marriage. 

Indeed, there's a lot of Sacred Marriage going on this season:

The shaft of light at the dawn of winter solstice penetrating deep into the dark of Neolithic earthworks such as the tomb at Newgrange, County Meath, Ireland. The Hebrew Shekinha — the word's Semitic root refers to birds nesting — partnering Yahweh. The virgin Mary partnering Deus. The prelude to Mary Magdalene, understood by early Gnostic Christians as an incarnation of Sophia, partnering Jesus.

Maybe next year I'll be writing a post titled "Sex and the Santa Claus."

 
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Posted by on in Paths Blogs
Moon, Stars, and Questions

It’s always tricky, reconstructing ancient religious practices. We may or may not have reliable sources of information and from a distance of centuries, it’s hard to tell what really happened way back then. It’s especially tricky when the only written records we have were recorded by people who weren’t exactly friendly to our chosen culture, as I discussed in a recent guest post on a friend’s blog. This is the case with the ancient Minoans. Most of the mythology we know about from ancient Crete comes down to us from the Hellenic Greeks, who lived a thousand years after the collapse of Minoan civilization and whose male-centric culture held radically different values from the egalitarian Minoans.

So how can we connect with the spirituality of a people who lived so long ago and about whom we have little reliable information? We take what we have and build on it using our own experience of the numinous – the divine. This is one case in which we must simply say, if it works for you, then do it. But we must also remember that what works for one person may not be  satisfying for another, so respect for a diversity of views needs to hold high priority. My friend Nimue put this especially well in a recent blog post.

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  • Anthony Gresham
    Anthony Gresham says #
    I like Asterion as the sky-bull/constellation Taurus. Have you tried seeking personal communication with Asterion yet? I know so
  • Laura Perry
    Laura Perry says #
    No, I haven't, mainly because I only recently came up with this correlation. I've been grappling with the identity of Asterion for

Posted by on in Paths Blogs
Good Guys, Bad Guys, and Utopias

The world is a complicated place, and it’s tempting to divide it up into good guys and bad guys to simplify things, make life a little easier to digest. A good example of this kind of simplification is the Minoans of ancient Crete.

I’ll admit, when I first discovered this fascinating Bronze Age civilization, I felt like they were practically a utopia: equality for women, no military, a beautiful religion based around nature. Heck, they even had paved streets and flush toilets.

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Posted by on in Paths Blogs
Minoan Peak Sanctuaries: Way Up There

I’ve written before about the astronomical alignments of the Minoan temple complexes, but the big temples that were the centerpieces of the towns in ancient Crete weren’t the only places the Minoans went for worship. The island of Crete is ringed by lovely flat beaches, but the center is filled with mountains that rise more than a mile high. Some of these mountain peaks were sacred places to the ancient Minoans. They built pilgrimage roads up the mountainsides to shrines and sanctuary buildings at the peaks.

These peak sanctuaries were popular places for sacred pilgrimages as well as official religious celebrations. Some of them were built with purposeful astronomical alignments as well, mostly due east, the direction of sunrise on the equinoxes. But their pattern of use changed over the centuries that they were active sacred sites and some of the sanctuaries fell out of use altogether while others continued to be the focus of religious activities.

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  • Wendilyn Emrys
    Wendilyn Emrys says #
    The Peak Sanctuaries, when combined with a Cave Sanctuary, as in the case of Mt. Dikte were also considered the birthplaces of var

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