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Subscribe to this list via RSS Blog posts tagged in creativity

Posted by on in SageWoman Blogs

b2ap3_thumbnail_tggcover.pngThanks to Maureen Corrigan and her excellent So We Read On: How The Great Gatsby Came to Be and Why It Endures, there's another upsurge of interest in F. Scott Fitzgerald's novel.

I've been seeing images of the novel's original cover on tote bags and t-shirts. In fact, I’d just finished an immersion — reading So We Read On and then The Great Gatsby — when I was browsing in the regional authors section at Malaprop’s Bookstore in Asheville, NC. Glancing down at the table there, I see a scrap of paperboard with the cover pictured here, complete with a cryptic "95 R" jotted on the back.

As bellyqueen, and in The Woman's Belly Book, I champion our body's center as the energetic sourcepoint of our courage, confidence, intuition — and creativity. Fitzgerald's words about writing Gatsby add his own evidence. After completing the novel, he recalled:

I'd dragged the great Gatsby out of the pit of my stomach....

After thoroughly considering the manuscript, Fitzgerald's editor at Scribner, Max Perkins, sent the author a long letter. He wrote:

And all these things, the whole pathetic episode, you have given a place in time and space,…you have imparted a sort of sense of eternity. You once told me you were not a natural writer — my God! You have plainly mastered the craft, of course; but you needed far more than craftsmanship for this.

That's the body's center — the sourcepoint of our creative energy, our connection to transpersonal power.

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Posted by on in SageWoman Blogs

b2ap3_thumbnail_squat-to-standing.jpgI've aways loved the Kiki Dee Band's song, written by Bias Boshel, "I've Got the Music in Me."

Huh? The music that is in you — where is it? How do you tap into it?

If you're asking me, belly queen as I am, I'll say we tap into our music — into every expression of our life force — by deepening into our body's center, the sourcepoint of our creative energy. We cultivate our relationship with this soul-power as we honor, rather than shame, our bellies. We activate it with movement and breath.

In The Woman's Belly Book, one of the many inquiries for deepening into our body's center is Chapter Eleven's "Draw Out Your Deepest Knowing."

The guidelines for this activity include: 

  • Sitting comfortably, enter into the Centering Breath. Notice any images and sensations that come into your awareness as you focus your attention within your body’s center.

  • Consider your arm to be an extension of your belly, a pipeline ready to carry information from your body’s center through to your hand and out onto paper. Maintaining your awareness in your belly, take the colored markers that appeal to you. Let your arm and hand move across the paper, spilling out colors, shapes, and lines.

  • Give yourself all the permission you need to make your marks freely, without judgment or restriction.

These same guidelines apply when I'm at the piano, improvising — letting music arrive without planning, without thinking. Just as with drawing, my arms serve as pipelines, allowing the flow of energy and information from body's center to keyboard.

The music that emerges in this way is so heart- and soul-satisfying. As one of my mentors, Mark Kelso of Muddy Angel Music, likes to say: The fun isn't so much in playing music; it's in being played by the music.

There's a delicate balance between improvisation and composition. Certainly, each can inspire the other.

By my lights, as improvisation offers sensory experience of the life force concentrated in the body center, it expresses the energy of the Sacred Feminine.

Composition can likewise convey the sense of the Sacred Feminine. In this clip from Ethan Hawke's magnificent film, "Seymour: An Introduction," hear what virtuoso pianist Seymour Bernstein says about Beethoven's expression of — and ambivalent relationship with — the feminine:

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How process and creativity work together in magical work

One of the reasons I apply process to my magical work is because with good processes in place, it makes easier to innovate and experiment with magic. I learned that in the business world and I've applied to my spiritual practices over the years to great success. You can actually learn a lot by taking the practice of one discipline and applying it to another discipline. In business, processes are used to solve problems, design and implement solutions, and to encourage creativity. Process encourages creativity by cutting out extraneous busy work, to focus on what really works, but in order to discover what works you necessarily need to work the process.

A lot of times creativity is treated as a chaotic experience, which occurs when a person is inspired. But in my experience, creativity is quite structured. Process provides the necessary structure for creativity to flourish in. Whether I'm writing, painting, or practicing magic, having a process in place allows me to work with my creativity as a resource. I'm not just waiting for inspiration to hit me...I'm actively cultivating it as part of my process.

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And I am a writer, writer of fictions / I am the heart that you call home / And I've written pages upon pages / Trying to rid you from my bones / My bones/ My bones / And if you don't love me let me go / And if you don't love me let me go

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Goddess Comes to Music City...Nashville Goddess Conference in July 2014

Join us for The Goddess conference in Nashville, Tennessee to Empower the Divine Feminine within you!  Held at the Four Points Sheraton Hotel, in Brentwood, TN, just south of Nashville, come share with a weekend to....

Find your Inner Goddess

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  • Byron Ballard
    Byron Ballard says #
    I wish I had known about this sooner. Have a splendid time!

Posted by on in SageWoman Blogs
Crazy season

This time of year is always a bit mad for me. My sleep patterns are light-affected, so as we race towards midsummer, I stay awake later into the evening, and surface earlier. That might not sound too insane, but I have the kind of mind that hallucinates once it gets sufficiently sleep deprived, so if around midsummer I’m exceedingly wakeful for a few days – as if often the case – my whole experience of reality gets rather interesting.

Knowing that I tend to do this, I approach the lightest days of the year with a degree of caution. Madness is really a measure of dysfunction. If you can take what you’ve got and turn it into something productive, you aren’t deranged. You’re probably an artist, an author or the like. Going out to the edges of human experience and bringing back useful and beautiful things is part of what many creative folk do.

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(en)LIV(en)ING with the Muses-The Eloquence of Calliope

This is the second posting of the (en)LIV(en)ING with the Muses Series

The Muse, Calliope is the oldest of the Muses and according to the Theogony of Hesiod was foremost of the muses. Holding this preeminence, suggested her creative gifts were many with specific association with music and song and is often depicted playing the harp in early art work. In many mythological tales, Calliope is the mother of the Bard and player of the lyre, Orpheus. Calliope’s gifts of eloquence and music moved through her child Orpheus, considered to be the greatest musician and poet of Greek mythology having the ability to stir the emotions of God and man, alike into passive acquiescence.  

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