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Subscribe to this list via RSS Blog posts tagged in creativity

Posted by on in Culture Blogs
If Paganism Had a Motto...

In the Old Language of the Witches, a verbal artist (i.e. a bard) was called a sceop: literally, a “shaper.”

Likewise, “creation” was sceopung, shaping; “creator” scieppand, a shaper. (In Modern Witch, we would say sheppend.)

For the ancestors, to make was to shape: to mold what already is. This view of art—and of creation generally—stands at variance with the more recent notion of creation ex nihilo: from nothing.

As myself a shaper, and long-time observer of the creative process, I find it axiomatic that, in fact, nothing comes from nothing. Even the most original art always derives from what went before, if only by reaction.

As the ancestors saw it, the artist's work is to shape the old to the new, and the new to the old.

In this way, the present becomes a conversation of past with future.

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Recent Comments - Show all comments
  • Steven Posch
    Steven Posch says #
    No indeed. As the Egyptian tells Big Anna in Edgar Jepson's Horned Shepherd, "All the world is the country of the Wise": there are
  • Andrew
    Andrew says #
    "In the Old Language of the Witches" Witches weren't confined to speakers of Old English.

Posted by on in SageWoman Blogs
Twists and Turns

Long time, no write. Although I do have three drafts started on the Word app on my tablet, my son had commandeered my tablet after his high school graduation and I had only been lucky enough to touch it two brief times since then.  

Now that I'm on a training trip away from my family, I find that I have pockets of free time.  And, bonus, I have my laptop back!  Had to use it when I worked from home for a large retail company.  But now that I'm in training for another work-at-home job (much better than the previous one), I get to have it back.  At some point I will grab my tablet and transfer the drafted blogs and post them.  So I was getting ready to leave my training day thinking that all I wanted to do was sit and decompress and write when I received a lovely "missing you" email, gently reminding me that I have a warm place to write - exactly what was on my brain.  Someone was reading my thoughts.

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Moving Beyond 'Cultural Appropriation:' Part III: Memes as cultural organisms

 

Memes

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Posted by on in SageWoman Blogs

The maidenly May Queen. The fecundity of the land. The sacred union of masculine and feminine.  It seemed a bit counterintuitive that in Ireland, Bealtaine, the month of May, is a month celebrating creativity in people who are well over the age of 50. Beataine is the time of year when crones rock!

All over Ireland there are arts activities aimed at those who are of pensionable age. For instance, the Hawkswell Theatre in Sligo is offering weekly acting classes in May for €30! That is completely affordable for someone on a state pension. All over Ireland there are arts activities that celebrate our creativity as we age.

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Posted by on in SageWoman Blogs

Ugh, my on again, off again life.  

We moved here to slow life down.  It has been quite the adventure!  Since 2009, I have had 7 jobs.  That is more than Ihave ever thought I would have in my lifetime!  My husband has had 2 since being here.  I've started many projects and finished only a handful.

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Posted by on in SageWoman Blogs

b2ap3_thumbnail_tggcover.pngThanks to Maureen Corrigan and her excellent So We Read On: How The Great Gatsby Came to Be and Why It Endures, there's another upsurge of interest in F. Scott Fitzgerald's novel.

I've been seeing images of the novel's original cover on tote bags and t-shirts. In fact, I’d just finished an immersion — reading So We Read On and then The Great Gatsby — when I was browsing in the regional authors section at Malaprop’s Bookstore in Asheville, NC. Glancing down at the table there, I see a scrap of paperboard with the cover pictured here, complete with a cryptic "95 R" jotted on the back.

As bellyqueen, and in The Woman's Belly Book, I champion our body's center as the energetic sourcepoint of our courage, confidence, intuition — and creativity. Fitzgerald's words about writing Gatsby add his own evidence. After completing the novel, he recalled:

I'd dragged the great Gatsby out of the pit of my stomach....

After thoroughly considering the manuscript, Fitzgerald's editor at Scribner, Max Perkins, sent the author a long letter. He wrote:

And all these things, the whole pathetic episode, you have given a place in time and space,…you have imparted a sort of sense of eternity. You once told me you were not a natural writer — my God! You have plainly mastered the craft, of course; but you needed far more than craftsmanship for this.

That's the body's center — the sourcepoint of our creative energy, our connection to transpersonal power.

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Posted by on in SageWoman Blogs

b2ap3_thumbnail_squat-to-standing.jpgI've aways loved the Kiki Dee Band's song, written by Bias Boshel, "I've Got the Music in Me."

Huh? The music that is in you — where is it? How do you tap into it?

If you're asking me, belly queen as I am, I'll say we tap into our music — into every expression of our life force — by deepening into our body's center, the sourcepoint of our creative energy. We cultivate our relationship with this soul-power as we honor, rather than shame, our bellies. We activate it with movement and breath.

In The Woman's Belly Book, one of the many inquiries for deepening into our body's center is Chapter Eleven's "Draw Out Your Deepest Knowing."

The guidelines for this activity include: 

  • Sitting comfortably, enter into the Centering Breath. Notice any images and sensations that come into your awareness as you focus your attention within your body’s center.

  • Consider your arm to be an extension of your belly, a pipeline ready to carry information from your body’s center through to your hand and out onto paper. Maintaining your awareness in your belly, take the colored markers that appeal to you. Let your arm and hand move across the paper, spilling out colors, shapes, and lines.

  • Give yourself all the permission you need to make your marks freely, without judgment or restriction.

These same guidelines apply when I'm at the piano, improvising — letting music arrive without planning, without thinking. Just as with drawing, my arms serve as pipelines, allowing the flow of energy and information from body's center to keyboard.

The music that emerges in this way is so heart- and soul-satisfying. As one of my mentors, Mark Kelso of Muddy Angel Music, likes to say: The fun isn't so much in playing music; it's in being played by the music.

There's a delicate balance between improvisation and composition. Certainly, each can inspire the other.

By my lights, as improvisation offers sensory experience of the life force concentrated in the body center, it expresses the energy of the Sacred Feminine.

Composition can likewise convey the sense of the Sacred Feminine. In this clip from Ethan Hawke's magnificent film, "Seymour: An Introduction," hear what virtuoso pianist Seymour Bernstein says about Beethoven's expression of — and ambivalent relationship with — the feminine:

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