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Subscribe to this list via RSS Blog posts tagged in magic
Outer space is a Fey playground. Mine. Yours.
 
Emptiness is a jungle gym.
 
We can sow our magic in the rich loam
 
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Recent Comments - Show all comments
  • Ted Czukor
    Ted Czukor says #
    Stellar. I left a comment on your webpage. Such a timely reminder; thank you again.
  • Francesca De Grandis
    Francesca De Grandis says #
    Ted, thank you for checking it out. I am so glad you liked it!
  • Ted Czukor
    Ted Czukor says #
    May we learn more and more to go within to find the truth of limitlessness. May we be less and less willing to buy into the opinio
  • Francesca De Grandis
    Francesca De Grandis says #
    Yes, yes, yes! Thank you and amen. Re yr last line about not listening to those in control: I wrote a blog about not letting them
  • Francesca De Grandis
    Francesca De Grandis says #
    Ted, I found it. Check it out if you want and have the time. It is called "Do Not Get Trapped in the Uni-Dimension" and is at http
When Magic becomes mainstream (sort of): Tulpamancy

The other day a friend pointed me to this link, where I ended up learning about Tulpamancy. Tulpamancy is essentially the creation of an imaginary friend who shares your body with you. The practice reminds me a bit of otherkin, only in this case instead of the person claiming they are some type of non-human entity, they instead claim that they are creating a spirit being and hosting that spirit being. Most of these Tulpamancers think of the tulpa as a psychological construct, though some ascribe metaphysical aspects to their tulpa. None of them, so far, as I know, seem to practice magic and this is only significant because they've taken a technique which is magical and applied it to their own lives without focusing on the magical aspects of the practice. 

The concept is actually a familiar one in occultism. The word Tulpa originates from Tibet and refers to the practice of creating a thought-form. Whether you know the concept through the label of thought-form, servitor, magical entity, or for that matter Tulpa, what the concept boils down to is the creation of an entity that becomes a spirit ally or performs a specific function for you. The main differences are that the magician typically doesn't house such an entity within themselves, isn't necessarily setting out to befriend such an entity, and may set up a deadline for certain task to be performed, or for the entity to be dissolved.

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  • Lee Pike
    Lee Pike says #
    Great article - it's interesting to note how ideas develop on Tumblr seemingly in (mostly) isolation and become paradigms unto the
  • Taylor Ellwood
    Taylor Ellwood says #
    I could see how tumblr could be part of it though from the one article reddit also seemed to play a role.
Anthropomorphic Assumptions that show up in magical work

One of the challenges with exploring a non-anthropomorphic approach to magical work involves uncovering the anthropomorphic assumptions that show up in your thinking and practice. These assumptions can be quite subtle and yet can create a cognitive dissonance with the work you are seeking to do. At the same time, another challenge we face is the inevitable fact that at some point we need to translate and interpret experiences into something we can relate to. Anthropomorphism is one such route, though it is not the only route. I think that if we are to genuinely apply a non-anthropomorphic perspective and practice to our spiritual work we necessarily need to identify the anthropomorphic assumptions which may come up. Below are some such assumptions, as well as how you can identify them.

Applying humancentric categories or labels to experiences. One of the assumptions that comes up involves seeking to categorize or label a non-anthropomorphic experience. We use labels and categories to organize our thoughts and define the world around us, but the problem with such an assumption is that in our haste to define and categorize we can miss out on being open to experience. Admittedly, it can be argued that we use labels and categories to provide some type of explanation for what we've experienced, but perhaps in seeking to explain it using categories and labels what we lose is something essential about the experience that can't be explained in that way. A better approach would be to take your time with the experience and seek it out multiple times. As you have it, allow yourself to express it without attaching labels or categories. Whether its stream of consciousness writing or painting or music or some other form of expression open yourself to expressing it differently.

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Posted by on in Studies Blogs

It’s back to school time, and that has me thinking about those of us who no longer spend much time in a classroom. I’d like to encourage us to think deeply about different purposes and practices of learning so that we can shape our own back-to-school intentions for ourselves. One of the biggest ways to make a difference is to practice what's not perfect.

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How to Recognize I can't in your Magical work

Sometimes what I find most fascinating about magic is what limitations people build into it. In other words, a person will say to themselves, I can't do this in magical work. They'll have various reasons for that " I can't" which can range from moral/ethical reasons, spiritual "laws" or personal hang-ups that tell them they can't do x because of y. I do believe in the value of limits, and I think limitation, as a principle can be very effective for magical work, but when I talk about limitation I'm not referring to the "I can'ts" which are ultimately subjective, but rather to natural principles that structure, organize, and scaffold how magic can work. And its important remember that such limitations can be worked with quite productively, provided we understand them. The "I can'ts" on the other hand are wholly subjective, developed for various reasons that tend to be more harmful than useful in most situations.

When I was young, I was often told what I couldn't do. I'd tell a family members one of my ideas and be told it would never work and that I couldn't do it. Fortunately I never believed them, and if anything when I heard such discouragement, it encouraged me to prove them wrong. It's fair to say that up until my mid twenties most of what I did was inspired by a desire to prove people wrong, to prove that what I couldn't supposedly do, actually could be done. Even to this day, I still find that when someone says that something can't be done, it gets me curious to see if in fact they are correct, or if it can be done. 100% of the time I find it (whatever it is) can be done provided you have enough motivation and willingness to experiment and try various possible solutions. What this indicates to me is that many times the only limitation people deal with is the one they impose on themselves or accept from other people.

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Recent Comments - Show all comments
  • donna
    donna says #
    This is really good. I do get caught up in the "I cant's" that I've worked on for years. I have to remind myself that I do have th
  • Taylor Ellwood
    Taylor Ellwood says #
    Thank you Donna. I think it really is important to operate from a place of thinking big instead of thinking in negatives. The peop

Posted by on in Culture Blogs

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Title: The Eye of Odin

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How I've learned to let Magic Move Me

A while back on Pagansquare I wrote several articles about my work with elemental magic (you can find them here and here). I'm currently in a process of transition from the element of movement to the element of stillness. I've been working with movement for almost two years and will fully switch over on the 2nd year anniversary of my work to stillness. However, even before that date, the transition is beginning. Elements of Stillness have been showing up in my work for a good part of this year and are becoming much prevalent in the time leading up to the change.

When I first started the elemental balancing ritual, I chose the element. The very first year, I chose Water because I knew I needed to get in touch with my emotions and water represented that to me. The next year I chose Sound because I needed to work on connecting with people. The third year I chose Earth because I wanted to ground myself where I was living. After that though, the elements started choosing me. Or rather incidents occurred in my life that spoke for the need to work with a specific element to help me find balance. In the Earth year, the element that came up was Love. I'd made some bad choices in handling relationships and it became clear to me that I needed to work on love and what that meant to me. In the middle of the love year, I had an experience that demonstrated to me that I needed to work with Emptiness as an element. And so on and so forth.

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