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Posted by on in Paths Blogs
Drumming

A drum appeared in front of me out of the darkness. Someone stood behind me as I sat singing along with the jamming fiddlers, guitarists, and autoharpist by the snapping campfire. I took the drum. Someone's hands showed me how to hold the drum, and how to play the three notes of the dumbek: dum, tek, ee. I put my hands on the hairy hide. I started to play, and magic welled up inside me. When I drum, I feel the vibration of the universe, I hear the music of the spheres, and my hands thump out the rhythm of the heartbeat of mother earth.

That was how I acquired Mr. Hairy Goat, the gourd drum. That was how a long-dormant connection to the Native spirituality I had grown up with. Although the drum was a Middle Eastern style, and I had been an Asatruar for decades, and the festival I was attending was not even a pagan festival but a folk dance and folk music festival I went to because my mom wanted to go, somehow drumming connected me to a note of Native American spirituality; the rhythms that came to me naturally sounded Native. I had largely stopped trying to pursue Native spirituality (except for relating to the land spirits as my father had taught me) after events of the year after I left college. Now it came to me. Mom and I were camping in my truck at a folk music, dance, and storytelling festival in California. Mom was doing the dance program. I sometimes dance with her and her folk dance group, but at this event I had signed up for the singing program. It turned out, the someone in the dark was a drum vendor at the festival.

As a child, I had tried to learn the violin, even though the teacher said I was too old to start (I was about 10 I think.) Maybe she was right, because I never got very good at it. I had played my grandfather's violin, and had given it up when braces gave me jaw pain so bad i just couldn't hold it properly. I had hung onto the violin itself for years. I had planned to pass it on to my future child, and had even pre-planned an entire ceremony for calling my grandfather's musical talent into my future progeny, which I intended to do as part of the naming ceremony. I gave up the dream of ever having children in order to receive medical treatment that solved a decades-long on-again-off-again disability. One of the things I did to let go of that dream was to sell grandpa's violin. Shortly after that, the drum came into my life. I think that by letting go of the violin, I then had my interior music-place open and ready to connect with a new instrument, and that is why the drum came to me.

I got so into drumming that I was asked to become the conductor of a drum circle I participated in, SageWomen. I felt the need to have a Native American style drum as well as Mr. Hairy Goat, and I made my own frame drum from white oak and elk rawhide, and named her Grandmother Elk. I sang and played the drum in a short-lived Celtic folk-rock band named North Wind, which once played at Las Vegas Pagan Pride Day. I led the drum circle at Unity Center, a local interfaith-friendly church.

I drummed for a Native American flute maker who was performing in a Las Vegas art gallery to promote his double flutes, which they carried. The next time I went to a powwow, he was there, and from then on I felt welcomed and connected with the Native community in the local and greater Southwest area. I dug out my old powwow regalia, which was now too small, untied the seams and put in extra panels to expand it to my new size, and wore it to powwows to dance the intertribal dances. I danced at the Las Vegas Honoring Veterans' powwow. I danced at Snow Mountain.

One day at a drum circle, some of the other women were doing reiki healings on each other. I was apparently the only person there who was not a reiki healer. They asked me to try doing a blessing with my drum, so I did. Magic flowed. I had never had any powers or talents for healing before, though I had attempted various systems. This was utterly natural. I just directed the open end of Mr. Hairy Goat at my target person and drummed. They all said they could feel their own energy lifted up into the drum, changed, healed, and then put back inside them at a higher level of energy. The next time the drum circle met, some of them said I had improved their conditions. People started asking me to perform drum healings every time. I learned that I couldn't do it too often, and I also eventually learned that I had to turn the drum on myself when I was done performing healings for the day or I would have a low-energy hangover with achy sleepiness the next few days. I learned through trial and error that to do a healing with the greatest chance of success and least personal energy expended, I had to wait until the drum circle had already done a few drum songs and raised energy and entrained with each other and then have them do a simple rhythm that I could follow along with doing a simple one-beat heartbeat rhythm, just a plain dum dum dum dum dum, and that while I was doing the healing it would work best if I did a slow beat regardless of how fast the rest of the circle was going. I learned to pull energy from the rest of the circle and direct it. All this, I learned entirely by doing it, sometimes doing it wrong, and doing better next time. I also learned that although he didn't mind if someone else played him, I couldn't have someone else drum for me with Mr. Hairy Goat and try to get any of the healing effects for myself; it just didn't work right, even though I felt like I wasn't really the one doing the healings, I was just the legs that carried the drum around, I was apparently necessary in some way to make the energy flow right.

Mr. Hairy Goat is a sacred healing drum, but Grandmother Elk is a sacred drum, too. She is a drum for leading a drum circle and getting everyone to entrain on each other and find a common rhythm, and to do conductor things like making everyone louder or softer and getting everyone to stop at the same time. She has a loud voice. Last year, I led the drum circle at my local Pagan Pride Day. I invited attendees to drum, provided instruments, collected their energy, and channeled it to the healers performing the ceremony. The leader of the healers said she could feel me throwing major energy. All this, because I went alone for the ride when I had the opportunity, and took what was literally put right in front of me.

Photo caption: me with my drum Grandmother Elk, at the labyrinth at St. Rose. The activities organizer of the local Catholic hospital asked me to drum for their Labyrinth Walk.

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Recent Comments - Show all comments
  • Erin Lale
    Erin Lale says #
    Thank you! That's really cool.
  • Molly
    Molly says #
    Loved this! It was giant powwow drum at the Gaea Goddess Gathering in KS that called my heart several years ago. I want to work mo

Posted by on in SageWoman Blogs

Today, actively feel the aliveness in your cells.  Receive the extra energy that follows.

 

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Note: For readers unfamiliar with Reiki, a basic FAQ page can be found here.

There were five people gathered in our teachers living room for the Reiki Level I class: my girlfriend and myself, a middle aged woman and her former daughter in law, and a thirty-something male lawyer.

...
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Recent Comments - Show all comments
  • Terence P Ward
    Terence P Ward says #
    The link to the FAQ is broken because there's an extra "witchesandpagans.com" in it. Just wanted to let you know so less tech-sav
  • Michelle Simkins
    Michelle Simkins says #
    Terence, thank you so much for pointing out that glitch. The error should be fixed now.

Posted by on in Culture Blogs
Crystal Healing: Helping Ourselves

Hey everyone!

Another question has come up that I thought I would address as a blog post. Curt asks:

"I find my crystal work is more effective in assisting others than it is when I assist myself. What do you advise?"

That's a really great question, and one I have often asked myself over the years. Why is it that most healing modalities seem more effective when we apply them to others than when we work on ourselves?

When we work on ourselves, many different factors come into play:

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Everyone comes to the healing path in a different way. This is the first post in my "Steps on the Healing Path" series, in which I'll share some of the pivotal moments of my journey.

A slightly different version of this post appeared on my personal blog in 2012.

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Posted by on in Culture Blogs

Being Solitary is a defining part of who I am as a Pagan.  I meet so many other Solitaries in my journeys and often find them feeling disconnected from the greater Pagan Community.  That is why I write this blog and speak on this topic whenever I can.  The specific topic I write about today applies to every segment of the Community because, when it comes right down to it, each of us are Solitary within our own minds, and that’s important to remember.  Even Traditional Pagans often feel disenfranchised or isolated, (and most practice away from their Covens as well as with them) so this article is really for everyone in the Community.

A few of you might be aware that I was involved in a very serious (and very stupid) accident in mid-December.  I quickly sent out a call to my friends asking for healing energy directly from my hospital bed.  I was in extraordinary pain when I sent that request and was badly broken.  One aspect of my life as a Solitary has been to shield myself from the energy of others in most instances.  Bad experiences from my past have made me very cautious about the energies I take in and (generally speaking) I never open myself to energy from people I’ve never met.

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Recent Comments - Show all comments
  • Greybeard
    Greybeard says #
    Its good to hear that the magic worked for you. Your title, "like a drop of rain" always reminds me of doing accidental weather m
  • Terence P Ward
    Terence P Ward says #
    Glad to see that you're up and about again, Mr. Neal. I can be counted among the mostly solitary Pagans of the world, and I will

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