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One thing any researcher knows is that new information is liable to blow old theories to smithereens. The same holds true for Modern Minoan Paganism, an evolving path that incorporates not just archaeological information but also shared gnosis as we work our way forward in spiritual practice.

I'll be the first to admit that I don't like having to change my views. Once I think I have something figured out, it's very pleasant to just hang there, in that space, all smug and satisfied. But I've learned the hard way that nothing is that easy, not just in archaeology, but also in spirituality.

I've been in relationship with the Minoan gods and goddesses since I was a teenager, but it was only a few years ago that Modern Minoan Paganism began to take shape as a specific spiritual path. I've been walking that path with the lovely folks in Ariadne's Tribe, and together we're creating a tradition that works for us as Pagans in the modern world. The hardest part, believe it or not, is explaining what we do to other people.

The name Modern Minoan Paganism gives you a pretty good idea from the start: We're combining the bits and pieces we know about ancient Minoan religion and culture in a modern Pagan context. We can't really reconstruct ancient Minoan religious practice in detail. There are too many gaps in our knowledge, we don't live in the same kind of culture the Minoans did, and we probably don't want to go back to sacrificing bulls and goats (and possibly people) anyway.

One of the more frustrating aspects of practicing Modern Minoan Paganism and studying ancient Minoan culture is that we can't read Linear A, the script the Minoans used to write their native language. So we have to rely on the fragments of Minoan myth and history that have trickled down to us via the Greeks (the Minoans weren't Greek - they were their very own independent Bronze Age culture).

This means we don't even know the words the Minoans used for ordinary objects like cups and bowls. The archaeologists who first excavated Minoan sites had backgrounds in Greek history, myth, and culture, so they simply used the Greek terms for the pottery they unearthed. That's why libation pitchers from ancient Crete are called rhytons (or rhyta, if you want to use the Greek plural); rhyton is the Greek word for this kind of container.

A lot of people ask me how I got into Modern Minoan Paganism and why I'm inspired to write the books and create the art that goes along with that spiritual path. If I'm honest, the Minoan gods and goddesses have been stalking me since I was a teenager and it just took me a while to pick up on their intent - sometimes I'm slow that way. But once I finally got started, all enthusiastic and rarin' to go, I hit a roadblock: There were virtually no resources out there.

Bear in mind, I'm old enough that when I first started researching the Minoans, I had to resort to actual ink-and-paper encyclopedias and history books. And none of those ever had more than a paragraph or two about the Minoans, usually as a sort of side note before the text started talking about the Greeks.

Joseph Campbell said that all religions are true for their time. Of course, the religion the ancient Minoans practiced had meaning and value in Bronze Age Crete. But what about the spiritual path we're creating with Modern Minoan Paganism? How can we be sure it's true for our time?

First, I should point out that we're not trying to reconstruct ancient Minoan religion - really, we couldn't do a proper reconstruction even if we wanted to because we can't read what the Minoans wrote and we're missing a lot of the original mythology. And even if we did manage to reconstruct it all, it probably wouldn't fit well in our modern world: We have a different lifestyle, value set, and worldview than the Minoans did, even if we're Pagans.

I've been blogging here for three and a half years now, and I've just been looking back through all my blog posts as the year nears its end. I suppose I shouldn't be surprised to discover that my five most popular posts aren't necessarily the ones I was hoping people would pick up and run with, and they're certainly not the ones I expected. But it is interesting to see what draws people, so maybe I can take the hint and provide more of what you lovely folks might like to read.

My most popular blog post? Tying a Sacred Knot - The various types of sacred knots are pretty well known, especially the tet of Isis, which appears to have a counterpart in Minoan Crete. But there's another object that Sir Arthur Evans conflated with this type of sacred knot, and this second object is obviously a piece of fabric, not a cord. I've written about this second object, which we've come to call the Sacral Scarf, in this blog post. It has its own place in Modern Minoan Paganism and was, as far as we can tell, unique in the ancient world.

We divide our world into all sorts of segments based on time and space: day and night; the four seasons; the ground, the air, and space. Organizing the world into understandable parts is a natural human inclination, and the Minoans did it, just like everyone else. So how did they divide their world?

I have a few ideas. The most obvious is the seasons. Crete lies in the sea just south of Greece and has a Mediterranean climate. That means that, instead of the spring-summer-autumn-winter cadence we're used to in most of North America and Europe, the year flows from the rainy season to the dry season and back again: only two major seasonal divisions. In Mediterranean climates, the dry season lasts from what we might call late spring, through summer, and into early autumn. On Crete, plant life turns crispy-brown and dry. All but the largest creeks dry up, and even the rivers diminish to a flow much smaller than their wet season. This is the dead time of year, the counterpart to winter in the northern temperate zone.