I've just finished re-reading the Deathgate Cycle, a 7 book series published in the early 1990's and one of my favorite fantasy series. One of the reasons I like the series so much is the appendices, which the authors created to explain various aspects of the series, including how the magic in the series works. Although neither author is a magician, so far as I know, the detailed explanations they share provide a lot of insight into not the magic of their series, but magical work in general. For example, one of the concepts they talk about is the importance of definition in magic, and how definition shapes the raw possibilities into something that a person can understand apply to the world around him/herself.
I read the Deathgate cycle when it first came out, before I started practicing magic. It's fair to say that reading those appendices certainly had an effect on how I thought about magic, once I started to practice it in earnest. The concepts presented provided a way to understand magic that made sense to me, because what was presented was a very methodical approach to magic that made sense. That I would find some similar approaches in actual books on magic only confirmed to me the value of looking outside of strictly magical texts to find inspiration in my magical work.
I'm currently replaying the God of War series. Each time I play this series, what fascinates me about it is how Greek mythology is portrayed in the game series, and how that very process of representation consequently creates new interest in the original mythology. And this isn't just limited to God of War. I've noticed this same phenomenon with the Percy Jackson series, Marvel's version of Thor, and other modern variants of older mythology, which simultaneously create new mythology and also revitalize older mythology by getting people interested in the source material.
While there may be some knee jerk reactions to this concept from purists, I think that its worthwhile to examine and understand how pop culture can revitalize interest in older mythologies, and how this may even be intentional on the part of the deities associated with those older mythologies. The reason it may be intentional is that said deities recognize that one way to get attention, belief, and eventually worship involves utilizing the medium of modern culture in order to get in front of the various people who might be receptive to those deities. And in this age of multi-media, the opportunity to get in front of such an audience is unparalleled for there are more people living now than have ever lived in previous eras of history.
At Pantheacon I attended a discussion about Wiccanate Privilege (See this post by Lupus for an accurate overview of the discussion). I was curious about this term because it had been applied to me in a post that Ivo Dominguez had written about the Literacy of Magic. The person who applied it, Ruadhan McElroy commented on a comment I made about how I felt the Pagan community was divorcing itself from Magic in order to achieve mainstream acceptance. He made the point that such a statement displayed a level of privilege and assumption about magic's place in a given Pagan spiritual practice. Another commenter also pointed this out in a different way and in subsequent comments I came to better understand the perspective of magic as an optional practice because its simply not central to the given spiritual practices of a particular spiritual tradition. I'll admit that when I think of Paganism, I typically associate magic with Paganism and with anything that might fall under the rather broad umbrella of Paganism (which as I'll discuss later points to a distinct problem). I think that Ruadhan made an accurate point, though at the time it blew my mind that the practice of Magic could be perceived as a form of privilege (mainly because my own experiences in mainstream culture, but in this case Ruadahan is referring to the Pagan subculture, and in that context it makes sense).
The conversation that occurred at Pantheacon helped me further understand this aspect of privilege, and where Ruadhan is coming from. Ruadhan also wrote a post about Wiccanate Privilege and noted the following:
Kat and I are reading Puck of Pook's Hill by Rudyard Kipling right now. It's a classic Fantasy story, but what I find interesting is that in the first chapter, if you know what to look for, you discover a lot of esoteric and occult practices shared with the protagonists of the story, and this sharing continues throughout the rest of the book. It's a subtle way to teach magic to readers. Given when the book was written, the author needed to be subtle about it, but what fascinates me is that even to this day you can still find a number of fantasy writings where esoteric ideas and secrets are shared if you know what to look for. And if you don't know what to look for, well guess what? You're being given an education in magic and how it works so that if you get to that point where you actually start practicing you've already got some idea of how magic seems to work.
Kat and I like to discuss the books we are reading together, so we got into a long and fascinating conversation about not only Rudyard Kipling, but some of those writers who've written esoteric secrets into their fantasy. For example, if you've read any of Michael Moorcock's writings you'll find quite a lot of esoteric secrets shared. In Elric of Melnibone, he practically spells how to evoke an entity in several different instances where the character needs supernatural aide. In the Corum series, he focuses in on the magical aspects of gift giving and the connections gods have to people and vice versa. And there's a number of other series he writes in where he shares esoteric ideas and concepts, which I recognize many years later as playing a foundational role in my understanding of magic. As a young, impressionable reader the stories I read fascinated me because of the adventure, but as a magician I can see how my evocation practice has been shaped by what Moorcock wrote, as well as some of other esoteric beliefs and practices.
Now, I know a lot of people like to tout Samhain as the pagan new year, but for me, my year always sort of starts on Imbolc. I think of it as "time to make the doughnuts," in a way. It marks the end of my hibernation.
This year in particular is going to be a very big one for me- it marks the biggest Witchcraft 101 class I've taught in ten years, and it also marks the last of that series I'll be teaching for a while. For the last decade, I've dedicated myself to the education of witches in the basics, teaching everything from healing and conjuration to ritual practice and different models of deity work.
Season's Greetings from the Geekomancer's desk, everyone!
Now, I know this season is not always holly-jolly for everyone, sometimes thanks to religious issues or philosophical differences, sometimes due to more practical or emotional concerns. That's why I thought it might be helpful to show you how this pop culture witch celebrates the Winter Solstice, in hopes that it will assist you in finding new and innovative ways to deal with this, the most (expletive) time of the year.
Halloween is the first cosplay convention that ever was, and the longest running one, but Halloween is more than just that. It's a time for people to connect with the pop culture they love and embody that pop culture. For example, the recent Verizon commercial shows a family dressed up as characters (and more) from Star Wars. What strikes me about that commercial is that for that family Star Wars is real that night and in a way they get to become those characters while they trick and treat (though they do seem more obsessed with Candy than anything else).
Halloween is one of my favorite holidays, and it's also one of the inspirations for my approach to pop culture magic. This isn't surprising because its during Halloween that pop culture comes out in force. People dress up as the characters they love and for an evening embody those characters in one form or another. This occurs across ages, with little children dressing up to go trick and treat, while adults dress up to have fun at a costume party. Now not all of these people intentionally set out to work magic, but Halloween is a night of masks, and as such it can be useful for magical work to explore the idea of taking on a mask.