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Posted by on in SageWoman Blogs

Vision Questb2ap3_thumbnail_Screen-Shot-2016-03-29-at-1.19.56-PM.png

Exhale your question
  out and out again
  into the fresh North Mountain air

See the answer
  all around
It waddles with leisurely curiosity
  on the path ahead
Or drops blessed from the sky

Hear the answer
  in the rolling songs
  of the Aspen trees
The rhythm of tides
  drumming the shore

Touch the answer
  with hands, feet, heart
  Earth, Water, Fire, Sky
Dancing with mothers, sisters,
  Lovers, friends

Taste the answer
  in tender kisses
  of salty sea and tears
Ripening fruit the earth offers
Words and music on my tongue
  both thanks and prayer

Embrace your question 
  And an answer will find you

© Andrea M. Keber 2010

Laurie Bauers (Hakalau, HI) is living the dream on an organic farm with her husband and son in Hawaii. She paints and creates often, hopefully inspiring others to live their dream. etsy.com/shop/ArtofLaurieABauers 

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Pagan News Beagle: Airy Monday, May 9

An interviewer speaks with Eva Green about her role on Penny Dreadful and more. A stage writer best known for his work in the Harry Potter universe aims to bring the His Dark Materials series to the small screen. And tattoo artist Damien Echols talks about mixing magic and art. It's Airy Monday, our weekly segment on magic and religion in pop culture! All this and more for the Pagan News Beagle!

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Posted by on in SageWoman Blogs

     Do you know we are all on fire? Life is literally a fire burning in our bodies. Our biology magically takes in energy in tiny increments so we don’t ignite. Still, it’s a wonder more of us don’t just spontaneously burst into flames! Beltane is a traditional time to renew, reawaken our fire—inner fire, hearth fire, community fire, sexual and fertility fire of people, animals, plants, the land.
     What about when there’s way too much fire everywhere: in wars, in forests, in collapsed nuclear reactors, even freak fires in the arctic? What about depression—not enough creative fire, soul fire, wemoon fire, to bring balance and healing to offset the devastation? No way to get there from here? Today is our holy moment to quantum jump over the impossible and make love to the Possible. (If your head can’t do it, let your heart try.) Newborns of the body or imagination conceived on Beltane are “Merry Begots,” full of enough aliveness, love, joy, humor to confound the toughest logic and direst doomsday predictions.

—Miriam Dyak © Mother Tongue Ink 2015
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Posted by on in Culture Blogs
Measuring Worth

A great meeting of the gods was called for a certain day. As the various statues of the gods arrived from all over the world, the gatekeeper directed them.

Gold statues in rows 1 to 3, silver statues rows 4 and 5. Bronze statues in rows 6 through 10; marble statues, rows 11-20. Wooden statues in rows 21 to 40.

Now it so happened that Socrates was in attendance that day. He approached the gatekeeper.

Come, come, my friend, he chided him. A work of art cannot be judged merely on the basis of what it is made from. Some of these bronze and marble statues—even some of the wooden ones—are great masterpieces, made by the finest artists of their day. By any reasonable standard, we must hold them to be of greater value than statues of lesser craftsmanship that merely happen to be made from gold and silver.

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b2ap3_thumbnail_april04cover.jpgNot long ago I had the whole-body urge to locate an artist whose profile I'd read years ago in a magazine that's regional to Asheville and Western North Carolina — WNC Woman. The magazine, founded by Julie Parker, had featured my Honoring Your Belly article in its first issue. It's been a strong force for women's writing, art and entrepreneurship ever since.

But I no longer remembered the woman's name. I did remember that Julie had described her as painting from her hara — the Japanese word for both belly and the source energy concentrated within the body's center.

Searching on [wncwoman + hara], I found Julie's interview with Joyce Metayer. The April 2004 profile begins:

Joyce Metayer stands in front of and facing her work, feet planted firmly and powerfully on the earth, hands on her hara, as she explains how she births her work — how her inner vision emerges into three dimensions. Literally three dimensions, for these pieces are intricately-constructed canvases of mind-boggling complexity. She explains how she projects her sketch for a piece onto the wall to determine its appropriate size, then moves forward and back until the size is just so — until she literally feels it in her hara. This visceral connection to her work is so strong it seems almost visible ... a cord from womb to work, as it were. 

I surprised Joyce with a phone call and had the pleasure of speaking with her. Our conversation included this exchange:

LS: How did you develop this process?

JM: I didn't. It found me.

LS: How do the images arrive? How do they enter your awareness?

JM: I see the image as a holograph, a shape in three dimensions. Then the color plan comes to me as a bodily sensation.

With Joyce's permission, here are three images of her work. For titles and larger versions of these images, plus additional images and more information on each piece, click here.

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 b2ap3_thumbnail_smallerbirthoftheblues.jpg

 

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Posted by on in SageWoman Blogs

b2ap3_thumbnail_Screen-Shot-2016-03-29-at-12.46.04-PM.pngAutumn Skye Morrison (Powell River, BC) In creating art I find my stillness and rhythm, my teacher and passion. Each painting offers a reflection of the light and shadow of our humanity, our sublime geometry and our timeless divinity. May we celebrate this fantastic adventure, inspire and be inspired. autumnskyemorrison.com

Miss Ascentia (Stewartville, MN) is a Priestess of Poetry & Song, Professional Plant Spirit Advocate, Vision Quester & Sundancer adept in the High Technologies of Prayer, Craniosacral Therapist and Educator, Birth Doula and a Devout Student of Metta. ascentia@live.com

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Posted by on in Paths Blogs
At the Couch of the Gods

At a recent occult meet-up, the topic of the discussion was "Goddesses" and we had gotten to the point where we were discussing our experiences and perceptions.  Perhaps because there was a light focused down directly where I was sitting, I was especially talkative at that meeting.  

During one of my ramblings, the following description dropped out of my mouth: "With my art, versus my personal practice, I can't say that I'm specifically aligned with any certain deity or pantheon.  Rather it's like there's this mystical psychiatrist's couch in my studio, and They line up to have a lay down and tell me Their problems and what They want for art."  Up until that moment, I had never really voiced it, but that's exactly what it feels like to make my art. 

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