Public prayer is often sung prayer—to one another, we speak; to the gods, we sing—and good prayer (whether sung or spoken) deserves a good, communal conclusion.
What follows is three musical settings for “So mote it be,” two serious and one satirical.
You can draw your own conclusions.
First Tone
“So mote it be” is sung on the same note for each word, but “so” is held twice as long as the other three, thus giving it an emphasis: SO mote it be.
X x x x
As in all good music—or poetry, for that matter—the tune reinforces the meaning of the words.
Second Tone
“So mote it be” is sung with three notes, all held to equal length. “So” establishes the base note. “Mote” goes up a step from the base note. “It” goes down a step from the base note. “Be” returns to the base note.
x x+1 x-1 x
This setting has a nice “circular” quality to it; here, also, beginning and ending on the same note musically restates what the words say.