Fine Art Witchery: Where the Arts & Magick Meet

An exploration of the metaphysical intersection between the Fine Arts & Witchcraft: including history, current usage, and practical application.

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The Magick of Value

Do you truly value your work? 

This weekend I gave a lecture at 2nd Star Festival in Florence, OR.  Originally the idea was to give my "Visual Alchemy" lecture, which looks at the history and intersection of art and magick - but at the festival itself, there wasn't much description for attendees to read besides  the time and "Tempest, artist/dancer", so I decided to go off the rails a bit, and hope no one complained that I wasn't dancing as I lectured.  

2nd Star is a neat fledgling festival that is a cross-section of steampunk, fairies, pirates, mermaids, and other sorts of myth/creative folk - a little of everything fantasy. Just before I took the stage, the previous lecturer Josh Kinsey was answering a question about the title/use of the word maker.  I think that seeded the field a bit for the direction I went.

I started off with my basic introduction of defining art and magick, showing some slides of various kinds of art from early civilizations. Then I talked about art that is temporary - such as sand paintings, and art that is long-lived (temples, henges, etc), yet they are linked by intent and both equally important. And then I talked (ranted) about the value of art in today's society.  

Unfortunately, the vast majority of today's society does not recognize the importance and inherent value of art.  Art is more than something that matches your couch and looks nice, or is tucked away in a museum.  It's essential for human expression and well-being.  It defines and advances civilizations, building cultures.  It bridges the gap between different people and finds a common soul. It connects us and teaches us. 

When you, as a maker/creator/artisan/artist/master of the ephemeral exist in a society that doesn't understand the value of art, you're most likely going to have a hard time valuing your work.  When the artist doesn't value their work, then the society doesn't see value in the work or the worker for that matter. It's a vicious ouroboros.  
So in my rant--err--lecture, I challenged the folks present to reconsider art as something that is integral to their lives, and especially to the creators present - to re-evaluate how they see their work.  If you value your own work, then others in turn will start to see the value in it.  It should be priced with respect to the quality of the work, the materials, the amount of time, and true market value - versus what you think others (especially yourself, your friends, etc) may pay for it.  Nor does it matter if it's what you do for a living or as a hobby on the side, the effort and the result is the same. 

Just the simple act of believing and acting on the sense of value of your work causes a shift - in yourself, as well as those who interact with your work.  If you define magick as the art of changing consciousness in accordance with will - then valuing your work is also a form of magick.  You see value in your work, your work will be empowered, and others will respond to that shift in value, and see it for themselves.

Success in the arts is never overnight.  It doesn't come through one perfect connection, but rather years of hard work and dedication.  However, that sparkle of success rarely comes without belief in one's work, and a dedication to value.  Go forth and do some magick. 





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Laura "Tempest" Zakroff is a professionally trained visual artist, designer, writer and a Modern Traditional Witch. Her artwork explores the realm of Myth and the Esoteric and has been featured in numerous publications and shows across the world. She is also is a world-renown belly dance performer and instructor, focusing on sacred and darkly inspired fusions that pull from the traditions of North Africa, the Middle East, and the Mediterranean. She is based in Seattle, WA.

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