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Divination has many different forms and is a popular practice. You don't have to formally involve a deity to do divination; many of us throw down Tarot cards, runes, or bones in a somewhat casual way when we feel the need.

But there are times when you need to do something more formal, and when you need some help. The word "divination" includes the divine, after all. That's when you invite the appropriate deity and ask for their assistance. (Note that in MMP we never invoke deities, only invite them and then welcome them when they appear.)

You probably already know that the names of the days of the week are associated with deities (Greco-Roman, Norse, and others). Many people use the deity-day connections to guide their spiritual practice, choosing a particular deity's day for activities that focus on them.

We thought it would be nice if we could do something similar for the Minoan pantheon.

Minoan art is a constant inspiration: the colorful frescoes with people in naturalistic poses, an emphasis on the beauty of nature... but a lot of the "Minoan art" that circulates online is not Minoan at all, and definitely not ancient, even if it's inspired by the ancient originals.

Take the lovely image at the top of this post. It's a modern work that's a combination of this fresco from Akrotiri, ca. 1625 BCE:

I've written a couple of times about Minoan food and cooking. It's a perennially popular subject, since food is one of the human universals: everyone has to eat. And learning about a culture's foodways is one of the easiest ways to connect with them.

Over the years, I've gathered up bits and pieces of information from research about Bronze Age Mediterranean food. I shared some lists of typical Minoan foodstuffs in Labrys & Horns. But I've collected up far more than I have published. So today, I thought I'd offer what you might think of as a comprehensive Minoan shopping list of the foods that the best-stocked kitchen in Bronze Age Crete might have included.

Pagans are often a "bootstrapping" sort of people: We do things for ourselves, sometimes because we want to, often because we have to. I'm pretty sure a lot of Pagan resources come into being because someone went looking for something, couldn't find it, and ended up creating it themselves.

That is exactly how the Minoan Tarot was born.

You may have noted that in these blog posts I use phrases like "the god we call Korydallos" or "the goddess we call Therasia." That's because we have an interesting conundrum with some of the Minoan deities: we don't know what the Minoans called them.

Some deity names survived the Late Bronze Age collapse intact, eventually being subsumed into the Hellenic pantheon: Rhea, Eileithyia, and Dionysus are well-known examples. Others were "demoted" to human characters in myth and legend (Minos, for example, and Ariadne). But we still know their names - that part of them was not lost over time, even if their characteristics changed due to cultural pressure as the Greeks came to power and the Minoans disappeared from view.

Forged artifacts are a fact of life in the archaeological community. How should we, as Pagans who rely on archaeology for our religion, relate to these objects?

I've written before about the problems with the large numbers of forged Minoan artifacts that are still in circulation, many of them in museums. Thankfully, the museums are now recognizing the lack of authenticity and provenance of many of these forgeries and sharing that information with the public.