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Samhain is in the air, and with it a new year to celebrate life and read! For this installment of Well at World's End we'll take a look at the Pagan themes in Diana L. Paxson's novel, The White Raven, and specifically the depiction of ceremony filling the pages. It is the perfect book to begin the new cycle, as the story begins and ends on Samhain. To read along, you can visit: www.diana-paxson.com (If you're a Diana L. Paxson fan, you'll be happy to know I'm working with her on an in-depth interview, which is forthcoming in Witches & Pagans Magazine. So stay tuned!)  

The White Raven retells the story of the lovers, Tristan and Iseult, depicted in the book by their Celtic names, Drustan and Esseilte, who are later betrayed by the king. It is told through the eyes of Branwen, the White Raven, who is raised alongside Esseilte by the Queen of Eriu. Paxson's story is steeped in history and Celtic lore. Here we see the junction of the Old Ways and Christianity. Steeped with Pagan themes, it is the depiction of ceremony that makes this a treat. Let's look further. 

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This past summer, science fiction readers mourned the passing of Ray Bradbury, the author of such classic literature, as Fahrenheit 451 and Something Wicked this Way Comes. For this installment of Well at World’s End, we’re going to take a look at the pagan themes present in Bradbury’s short story collection, Sound of Thunder and Other Stories, and more specifically the title story.

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  • Hunter Liguore
    Hunter Liguore says #
    Yes, someone asked, this story was done as a movie, and does take into account the And it Harm None principles. You can check it o

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