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Subscribe to this list via RSS Blog posts tagged in Hellenic

Posted by on in Paths Blogs

The legend of Médousa (Μέδουσα) is one of the hardest myths to deal with out of ancient Hellenic mythology. It tells the story of a beautiful woman, who got raped by Poseidon, and gets transformed into a hideous monster who can turn people to stone just by looking at them, by Athena, because of it. She spends the rest of her life trapped on an island, in isolation, while brave warriors try to kill her for her head, which will still turn people to stone once cut off. Perseus eventually does so and gives the head to Athena to place on her shield. The circle is complete and Médousa is dead, after a lifetime of horror which was not her fault to begin with.

It's one of the best known Hellenic myths, and the movies, series, books, comics and other mediums which feature it--or Médousa--are endless. Percy Jackson comes to mind, and Clash of the Titans, but there are many others. What's less well known is that this particular myth doesn't date back to ancient Hellas, but ancient Rome: it was written by the Roman poet Ovid, in 8 B.C., in his Metamorphosis
 
"...He [Perseus] told of his long journeys, of dangers that were not imaginary ones, what seas and lands he had seen below from his high flight, and what stars he had brushed against with beating wings. He still finished speaking before they wished. Next one of the many princes asked why Medusa, alone among her sisters, had snakes twining in her hair. The guest replied ‘Since what you ask is worth the telling, hear the answer to your question. She was once most beautiful, and the jealous aspiration of many suitors. Of all her beauties none was more admired than her hair: I came across a man who recalled having seen her. They say that Neptune, lord of the seas, violated her in the temple of Minerva. Jupiter’s daughter turned away, and hid her chaste eyes behind her aegis. So that it might not go unpunished, she changed the Gorgon’s hair to foul snakes. And now, to terrify her enemies, numbing them with fear, the goddess wears the snakes, that she created, as a breastplate.’"
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I came to Hellenismos from a Wiccan Rede-filled path. I sent years not asking anything from the Gods for myself. The closest I ever got was asking to grand me the strength to aid someone else. I realized even back then that the Rede was limiting the magick I practiced, so I stopped practicing it all together. I never subscribed to the 'love and light' mentality. When I transitioned to Hellenismos, letting go of the Rede was like a weight had been lifted. Suddenly, I had the freedom to ask for things I needed badly in my life, without feeling guilty. I didn't expect the Theoi to grand any of my pleas, but They did, in most cases.

One of the Delphic Maxims is to 'pray for happiness' (Ευτυχιαν ευχου). It's one of the maxims that were so opposite to the practice I left behind, it felt positively alien. You can imagine how my first sacrifices went. To give you a hint, it went a bit like this:

"Blessed Goddess Hestia, Goddess of home and hearth, accept these offerings of incense sweet and barley white. If my offerings please you, and you erm... you... wouldn't mind spending a little time on my family, please keep us safe and erm... we could really use an opportunity for work and money because things get tight and well... okay, I'm rambling, I'm sorry. Please, don't be offended. I'm sorry, I'll go away now."

I got better at it; pretty fast, actually.

I go on about kharis a lot on this blog, and rightly so. Kharis, the reciprocity between us and the Theoi, is one of the cornerstones of Hellenismos. In fact, I think it may be the goal of Hellenismos as a whole. If not, why bother? And I don't mean any disrespect by that, not to Hellenics, and most definitely not to the Theoi. But isn't it true that we sacrifice and are pious because we need something of the Theoi? Part of it comes from the goodness of our hearts, but mostly, we would like some divine aid when we really need it. At the least, we practice so the Theoi won't smite us.

The ancient Hellenics prayed to the Theoi for everything. They prayed for health when someone got sick, they prayed for wealth or food when they were poor, they prayed for protection when they were in trouble, they prayed for courage and honor in battle, and they prayed for guidance in times of turmoil. In short, they prayed for happiness. Small statues were found in shrines with inscriptions of wishes, very often for fertility and/or protection, especially for Goddesses who had those domains in Their portfolio.

This maxim is a stark reminder of the ancient value of kharis, and it proved very liberating to me. How do you feel about this maxim? Does it go against what you've been taught or does it match what you've been practicing?

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Posted by on in Paths Blogs
Alright, there is good news, and bad news. The good news is that I figured out how to kill the weird zoom thing the camera did. The bad news is that I only discovered this on the second day of shooting this video. Also, the first day, it was this sunny-but-cloudy day, so the camera had a bit of trouble with the light. Therefor, the first minute is a bit rough but after that, it gets lots and lots better. Next time will be perfect (and also better lit).

Alright, so on to the video tutorial. In the spirit of the Deipnon and Noumenia we have just celebrated, I am going to show you what to do with, and how to prepare, a kathiskos. As I will explain in the video, the kathiskos is a small jar filled with foodstuffs which is stored from the Noumenia (first day of the lunar month) until the Deipnon (last day of the lunar month) in a shrine to Zeus Kthesios. It's purpose is to protect the pantry.
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Posted by on in Studies Blogs
Theology is God-talk

I’ve very grateful for all of the on- and off-blog posts to me about the question of evil. It is gratifying to know that I’m being read. Before we go deeper into specific subjects, I want to take a step back and gain some perspective on our project. This blog is an experiment in what is technically called Systematic Theology. It is systematic in that it endeavors to cover core issues pertaining to a religious tradition, here Pagan, in an orderly, coherent, where appropriate rational, and hopefully complete way. This is different from Practical Theology, which has to do with applying theology to life (although we’ll do some of that too). Practical theology has a variety of sub-disciplines like pastoral, political or liturgical theologies, dealing with theology in the context of the practitioner’s service to a population, or in application to political or social discourse, or with respect to ritual practice, respectively. But now, I want to talk about the idea of theology itself.

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Recent comment in this post - Show all comments
  • Christine Kraemer
    Christine Kraemer says #
    Sam, I'm delighted to see you writing on this topic. I have an introduction to Pagan theology coming out from Patheos Press this f

A long time ago, I promised to look closer into the act of rape in ancient Hellenic mythology, and despite that promise, I haven't written about it in a cohesive way since. It's a difficult topic and while that doesn't usually hold me back, it's also a topic about which a lot is written but nothing is proven beyond a doubt. Paraphrasing the available information leads to an incomplete picture, but I'm going to do my best.

This post is inspired by a comment on yesterday's post, where I, amongst others, describe how Zeus raped Hera so He could marry Her. Understandably, this didn't go over well. Rape is a terrible act, a shameful act, with dire consequences for all involved. It's 'the unlawful compelling of a person through physical force or duress to have sexual intercourse'.

Dr. Susan Deacy, in her excellent essay 'The vulnerability of Athena' describes three categories of rape in myth: parthenoi (maidens--those who are unmarried) who reject normal female activities and wish to remain unmarried, parthenoi who are lured away from the paternal oikos, are raped and give birth to remarkable offspring, and rape as a representation of marriage.

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Recent Comments - Show all comments
  • Christine L Berger
    Christine L Berger says #
    I have to say that I am grateful for your blog. This past summer I started intensely studying, making offerings etc. to several o
  • Elani Temperance
    Elani Temperance says #
    I'm very sorry to hear your teacher passed. May he/she be judged fairly and find comfort in Elysium, or anywhere else they wanted

Posted by on in Paths Blogs

Welcome to part three of the constellation series. I think I forgot to mention that I'm basing this series off of the works of ancient Greek astronomer Ptolemy. He set out forty-eight constellations, based in Greek myth, of which some are still recognized to this day, and others got broken up or otherwise rearranged or added in the years that followed. The next is Ara: the altar. It's still a recognized constellation.

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Back on my own blog, I asked my readers what they would like to read from me. I was wondering what they came back for and if I was somehow not filling a void I hadn't even thought of. As it turns out, my readers were pretty happy, but they would like to hear more about my personal practice. I can understand; I am not good at talking about that, so I rarely do. As a result of that feedback, I made two videos about Hellenic basics: preparing and using khernips, and pouring libations.

For both these videos goes that the way I do it, may not be the way everyone does it. It's the basic steps that matter most. So without further ado: here's a video of me preparing and using khernips, and below, a video of me pouring libation. Sorry about the quality, my phone seems to have some trouble focussing. I promise any future videos will be stable.

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Recent Comments - Show all comments
  • John Halstead
    John Halstead says #
    Elani: Thanks for this. The videos were great. Both instructive and beautiful. Thanks, John
  • Elani Temperance
    Elani Temperance says #
    Thank you for watching and your kind words. You are very welcome.
  • Anne Newkirk Niven
    Anne Newkirk Niven says #
    What's a khernip?
  • Elani Temperance
    Elani Temperance says #
    Hence the link to a blog post explaining the practice For those wondering, here's the basics: "Within Hellenic practice, miasma

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