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Subscribe to this list via RSS Blog posts tagged in definition of magic

Posted by on in Culture Blogs
The Realest Magic

You laugh. Go ahead. It doesn't change the truth of what I say.

Among the most potent of all magical tools is the clipboard.

Believe me when I tell you that with this clipboard in hand, I, middle-aged white guy, can go anywhere.

Anywhere.

With this in my hand, I could walk into the room where they keep all the money, and no one would stop me.

Not only would no one stop me, but they would avert their eyes as I did it.

You don't want to make eye contact with Clipboard Guy. You do not.

Invisibility, impunity, ability to instill fear: these are the powers bestowed by the magic clipboard.

Who needs a Hand of Glory?

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Recent Comments - Show all comments
  • Kile Martz
    Kile Martz says #
    It's rumored that Marvel was about to green light a new super hero series about a guy with a clipboard, glasses, and a badge. Stan
  • Anthony Gresham
    Anthony Gresham says #
    There was a guy in the warehouse today. Vaguely familiar, I think I've seen him before, wearing a yellow safety vest and holding
  • Steven Posch
    Steven Posch says #
    Damn, Anthony! You mean you didn't recognize me?!?

One of the values I ascribe to in my magical practice is keeping an open mind. A recent conversation with an acquaintance got me to thinking about what keeping an open mind means to me, and I consequently decided to revise that value to one which I feel is more accurate to who I am and how I approach life. I keep myself open to experience. There is a distinct difference to keeping an open mind and keeping yourself open to experience. Keeping yourself open to experience is a recognition that genuine openness isn't something you can keep in the realm of the conceptual. An open mind might conceptually consider an idea, but not engage it in a fundamental manner that actually enables real experience to occur. Keeping yourself open to experience, on the other hand, moves away from concept. The experience is important because it requires a level of engagement that goes beyond just thinking about something.

In Awakening the Sacred Body and Embryonic Breathing, both authors discuss the importance of maintaining a state of openness to experience. Both books are about meditation and experiences of altered awareness and what both authors recognize is that a conceptual treatment of the topic won't provide the necessary understanding and development of skills that the reader ideally wants. The only way the reader can learn about these topics is to open him/herself to the actual experience of doing the work. Even more important, for the person to get real value out of the work s/he must as best as possible avoid preconceptions that may shape the experience in ways that are less than helpful. Being open to experience means truly being open to the actual experience, allowing yourself to be present without analyzing or categorizing it. That can be hard for anyone to do, because so much of what we're taught is to categorize and label our experiences.

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One of the challenges with exploring a non-anthropomorphic approach to magical work involves uncovering the anthropomorphic assumptions that show up in your thinking and practice. These assumptions can be quite subtle and yet can create a cognitive dissonance with the work you are seeking to do. At the same time, another challenge we face is the inevitable fact that at some point we need to translate and interpret experiences into something we can relate to. Anthropomorphism is one such route, though it is not the only route. I think that if we are to genuinely apply a non-anthropomorphic perspective and practice to our spiritual work we necessarily need to identify the anthropomorphic assumptions which may come up. Below are some such assumptions, as well as how you can identify them.

Applying humancentric categories or labels to experiences. One of the assumptions that comes up involves seeking to categorize or label a non-anthropomorphic experience. We use labels and categories to organize our thoughts and define the world around us, but the problem with such an assumption is that in our haste to define and categorize we can miss out on being open to experience. Admittedly, it can be argued that we use labels and categories to provide some type of explanation for what we've experienced, but perhaps in seeking to explain it using categories and labels what we lose is something essential about the experience that can't be explained in that way. A better approach would be to take your time with the experience and seek it out multiple times. As you have it, allow yourself to express it without attaching labels or categories. Whether its stream of consciousness writing or painting or music or some other form of expression open yourself to expressing it differently.

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Sometimes what I find most fascinating about magic is what limitations people build into it. In other words, a person will say to themselves, I can't do this in magical work. They'll have various reasons for that " I can't" which can range from moral/ethical reasons, spiritual "laws" or personal hang-ups that tell them they can't do x because of y. I do believe in the value of limits, and I think limitation, as a principle can be very effective for magical work, but when I talk about limitation I'm not referring to the "I can'ts" which are ultimately subjective, but rather to natural principles that structure, organize, and scaffold how magic can work. And its important remember that such limitations can be worked with quite productively, provided we understand them. The "I can'ts" on the other hand are wholly subjective, developed for various reasons that tend to be more harmful than useful in most situations.

When I was young, I was often told what I couldn't do. I'd tell a family members one of my ideas and be told it would never work and that I couldn't do it. Fortunately I never believed them, and if anything when I heard such discouragement, it encouraged me to prove them wrong. It's fair to say that up until my mid twenties most of what I did was inspired by a desire to prove people wrong, to prove that what I couldn't supposedly do, actually could be done. Even to this day, I still find that when someone says that something can't be done, it gets me curious to see if in fact they are correct, or if it can be done. 100% of the time I find it (whatever it is) can be done provided you have enough motivation and willingness to experiment and try various possible solutions. What this indicates to me is that many times the only limitation people deal with is the one they impose on themselves or accept from other people.

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  • donna
    donna says #
    This is really good. I do get caught up in the "I cant's" that I've worked on for years. I have to remind myself that I do have th
  • Taylor Ellwood
    Taylor Ellwood says #
    Thank you Donna. I think it really is important to operate from a place of thinking big instead of thinking in negatives. The peop

One of the issues that I notice comes up a lot in the writing I see on magic is that the conceptual aspects of magic tend to be emphasized over the experiential aspects of magic. Now part of the reason for this simple could be due to the fact that writing about a topic inevitably moves that topic toward concept. However when we leave out the experiential aspects of a practice, the concept itself is diminished because what it presents is the theory without the grounding of practice. Experience necessarily grounds concept and provides the context to turn a given concept into a reality. It's important then to make a distinction between concept and experience, in order to make sure we're utilizing both in our spiritual practices.

A concept is not, in and of itself, a theory, so much as it is an idea. A concept only becomes a theory when we bring it into an experiential level. A concept attempts to describe how something ought to work as well as what the various variables are that effect the concept. A lot of the writing we see on magic is concept focused because the writer is trying to share how something ought to work with the reader, as well as providing the necessary background information that informs the concept.

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The other day a student from the Process of Magic class told me that she was working on the first homework assignment, which asks the student to tell me what their definition of magic is and why they've chosen that definition. She'd answered the first part, but asked me: "Why do you ask why?" I quipped "Why not" but then proceeded to explain why the question why is so important not only in magic, but in any subject you are trying to learn. In my opinion, if you can't answer the question why it indicates that you don't understand what you would be explaining to the person. For example, going back to the question of why a person has chosen a particular definition of magic, simply offering the definition isn't enough, if s/he can't explain how s/he arrived at that definition of magic. When you define something like magic, you are either defining it based off your personal experience, using someone else's definition, or a combination of the two, wherein your experiences seem to confirm the definition that someone else has offered.

One of the problems I have with how the average occultist or pagan defines magic is that all too often the definition offered is someone else's. Crowley's definition of magic, for example, is often used to explain what that person conceives of as what magic is. The problem, in my opinion, is that there is a tendency to accept this definition without asking why. The same applies to any other definition of magic that is offered up without the person questioning the definition. A definition of magic, or anything else for that matter only really becomes relevant when you can explain why that definition is important to you, in context to your own experiences. Simply expressing what something is doesn't demonstrate true understanding of it, until you can explain why the definition is meaningful to you.

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Recent Comments - Show all comments
  • Lalia Milner
    Lalia Milner says #
    What would be a good way to introduce this concept to my children? With so many "traditional" beliefs out there it's sometimes dif
  • Taylor Ellwood
    Taylor Ellwood says #
    Hello Laila, The best way to teach them is get them to ask why and also to explain why to them. By getting them to ask why, they'
  • J'Karrah
    J'Karrah says #
    This article very closely aligns with a position I have held as a teacher of magic for years: if I agree to take you as a student,
  • J'Karrah
    J'Karrah says #
    I hope I explained that right. Reading back over it, it sounds more than a little cocky...even though it's not meant to be
  • Taylor Ellwood
    Taylor Ellwood says #
    A good teacher always is willing to learn from his/her students. I certainly have. Ad like you said until they explain why they ha

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