...if you'll please just step this way, we come to one of the highlights of our tour of St. Cornely's: a Roman Era bas-relief depicting St. Cornely himself, dating to roughly A.D. 425. Though worn, note the quality of the sculpture.

Horns? Rather surprising things to find on the head of a saint, no? Although of course, Moses frequently wears them as well in medieval art, as you know. Well, no, those aren't actually horns per se...the name Cornely derives from the Latin clan name, Cornelius. While the name's ultimate origin is unclear, it's thought to derive from Latin cornu, “horn.” So the horns are, in effect, a visual pun identifying the saint, alluding to his name.

Ah, yes indeed, the saint's nudity: visitors always comment. Surprising, is it not? Although not, of course, unparalleled in Christian art. This alludes to the manner of his death: stripped naked and thrown into the arena to be trampled by wild bulls.

But, of course, he's not entirely naked, is he? Does anyone know the name of the kind of neck-ring that he's wearing? Yes, that's right, a torc: a type of jewelry associated with ancient Celtic nobility. This particular torc is one of the mysteries of St. Cornely's. The reason for its inclusion here is unclear: there's no mention of it in the legend of St. Cornely. Perhaps this sculpture was commissioned by a noble Celtic family: this part of England was once, as you know, the territory of a Celtic tribe called the Dobunni. Perhaps the torc is by way of making a claim of local ancestry for the saint, though of course such a claim would be highly unlikely, historically speaking. As it is, we simply don't know.

Note the bull here to Cornely's right—not looking particularly wild, I must say—with the saint's hand raised in blessing over its head. This alludes to the manner of the saint's death which, according to the rather gruesome logic of canonization, makes St. Cornely the patron saint of cattle and cattle-herding. In fact, the Dobunni were known far and wide for their fine herds, so the choice of this particular saint as patron for this particular parish makes a great deal of sense.

As it happens, Cornely is rather unusual among saints in having two feast days each year, both of which, interestingly, correspond with major events in the cattle-herder's year. The annual Blessing of the Herds falls in late April, just before the cattle would have been driven to the summer pastures, and the other in early November, just after All Saints' Day, at the time of the annual slaughter. Intriguing, no?

Note also the saint's other hand raised in blessing of what certainly looks like a stand of wheat. Not terribly likely to have been growing in a Roman arena, eh? No, in this context we must clearly read this as a symbol the Eucharist, just as one would expect.

Now if you'll please follow me, we come to what is surely one of the finest surviving Saxon fonts in England, in continuous use now for nearly 1400 years: a remarkable and really rather touching testimony to the depth of local Christian sentiment. Note the fine interlace carving around the bowl....