The labyrinth. Everyone has heard of it. It's one of the first things people think of when I mention that my spiritual practice has a Minoan focus. They might think of the beautiful labyrinth set into the floor at Chartres cathedral, or the story of Theseus and the Minotaur, or modern projects like the Pulse Memorial in Orlando, Florida (USA).
It's interesting, then, that no one has ever found an actual labyrinth at a Minoan site. There are lots of almost-but-not-quite-labyrinth meander patterns in Minoan art. And the labyrinth does show up on Cretan coins, but not until many centuries after Minoan civilization was gone.
At Grace Cathedral on California Street in San Francisco, scholar Lauren Artress oversaw the installation of not one but two labyrinths. Sue Patton Thoele, author of The Woman’s Book of Soul, invited me to go there one fine day a few years ago. I remember squeezing it into my schedule, feeling hurried, and hoping it would not take more than half an hour or so. I am a bit embarrassed to admit this, but I know I am not the only busy life-juggler who has found herself surprised by the Sacred. When we got there, a magnificent stillness presided over the entire cathedral. We chose the indoor labyrinth instead of the outdoor one, as there was a distinct chill in the foggy air that day. We read the simple instructions and, as told, removed our shoes to tread the path in bare or stocking feet. For my part, I had already begun to calm down, thanks to the peaceful atmosphere. As I walked in the light of the stained glass shadows, my schedule started to seem petty. Suddenly it seemed as if I could give this just a little more time.
It snowed in the Blue Mountains, where I live. It's always colder here than in Sydney, the mountains - which are not really mountains at all, but a plateau pushed up from the sea one hundred and seventy million years ago - are a kilometre above sea level and have their own weather. Which means that, although it never snows in Sydney, it does sometimes snow up here.
I was coming back from Sydney, on the train and I watched as the rain drops falling outside the window somehow seemed to get lighter, to become blown about by the wind, I watched them becoming snow as the train moved higher and further west. It was late afternoon and out the window I saw small dips in the land filled with ferns carrying a delicate blanket of snow on their fronds, like icing, it was truly magical. I stared and stared.
Steven Posch
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Steven Posch
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Aline "Macha" O'Brien
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