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Posted by on in Paths Blogs

I have written before about the differences between general (Neo-)Wiccan/Witchcraft Traditions and Reconstruction. In that blog post, I focussed on the practical, on the part you can see. This is not the most important part of Reconstruction Traditions, though. It's a part of it, but it only exists because of a mental component. It's this component I want to talk about today.

In general, 'reconstruction' is the practice of rebuilding something. This can be a crime-scene, a broken vase or any number of things. In Paganism, Reconstruction means the practice of reviving lost religious, social and practical practices from a specific time period or people. It is not that different from reconstructing a vase, actually, and I will be using that analogy a lot today.

Imagine this; long ago, a potter made a vase. He needed to make one because he had something which needed a holder. He shaped it in a specific form, inspired by his culture and need, and when the shape was done, he decorated it with imagery that was also culturally inspired. Somewhere over the years, the vase broke into a dozen pieces. There was no need for that particular vase anymore, so no one put it back together. Now, people need a holder again, and it seems logical to put the original holder back together instead of making a new one, because the first one functioned very well. They realize that in order to put the vase back together, they need to understand the culture and whatever was going on in the head of the potter who made it; without that knowledge, they won't be able to figure out how the pieces fit together and they can't restore the imagery without knowing what the potter created in the first place.

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  • Robert Scott
    Robert Scott says #
    Very good points which I think apply to any variety of recon, thank you.

A few days now, I have tackled controversial topics on this blog so to give everyone, including myself, a rest, I'm going to tackle a good old fashioned ancient Greek topic; the peculiar place of beggars in ancient Greek society. After all, of all professions there were in ancient Greece, the profession of beggar is, perhaps, the most difficult to understand.

A beggar, or ptóchos (πτωχός), was both a welcomed and a loathed sight at the gates of ancient Greek cities. According to some sources, most notable Hesiod's Works and Days, being a beggar is a profession, equated with potters and minstrels. They performed a public function simply by being who they were and doing what they did. But what did they do?

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  • Luke Hauser
    Luke Hauser says #
    Good research on an unusual topc -- thanks for the post
  • Elani Temperance
    Elani Temperance says #
    Unusual topics are the most fun ;-) Thank you for your kind feedback.
  • Jamie
    Jamie says #
    Thanks for the great post! There is nothing so modern as the problems of the ancient world. Except the problem of 'purifying' our

Posted by on in Paths Blogs

A cross-post this week, if I may - between here at my first blog 'home', and the wonderfully eclectic 'Witches & Pagans' site (because if you can't 'moonlight' as a Pagan, then who can?).

I am very aware that I haven't written anything at either location for a couple of weeks. I could give excuses - ultimately, the days have flown past and life has been more important. I'm sure we all know how that goes. Instead, take a wander with me, if you will.

Regular readers know that one of my favourite places for inspiration is as I walk the dog across the hilltop where I live. This evening I wandered the streets, looking out at the fierce clouds parting after an intense rain and thunder-storm just a few hours ago, the remnants of a rainbow, and the slightly 'stunned' feeling of a normal, modern, country village after a violent and unavoidable incident of Nature. The grass is rich and green, the snails appear to have made a small bypass across the path outside one particular row of houses, and the occasional early bat is swooping overhead.

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Posted by on in Paths Blogs

I woke up this morning with absolutely zero inspiration. It happens every once in a while when you write a blog post every day and try not to work ahead as much as possible. Zero inspiration gives me the opportunity to look around and find something that I simply love to do, to read or to watch and blog about that. As I've been on a Falling Skies binge lately, trying to fill the void of the Olympics, that show fueled this post, although it's not much about that show.

Falling Skies, if you will indulge me the introduction, revolves around the survivors of an alien invasion as they deal with the constant threat of the aliens, the threat of humanity driven to the brink, and the challenges of reconstructing civilization.

I am a huge fan of post-apocalyptic stories and a big fan of their respective series, movies and books. Anything from Falling Skies, The Walking Dead, Carriers, Resident Evil, The Hunger Games, The Books of Amber (books preferred), The Stand, Dark Angel, and The Book of Eli, to games like Fallout, books like Orson Welles' War of the Worlds and even T.V. series like Lost. But it's not all about entertainment; it's about a very important (religious) question: what would you do?

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Posted by on in Culture Blogs

No, that title is not a typo. I do mean theoilogy.

Theology, to quote the ever-handy Wikipedia, derives "from Ancient Greek Θεός meaning "God" and λόγος-logy, meaning "study of." God. Singular. By its very nature, at its very root, the word assumes a single Godhead. As such, I find the term best suited only to those religious systems which are explicitly monotheistic or monistic, eg Islam, most strains of Christianity, some branches of Judaism, and some sects within Hinduism.*

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Posted by on in Paths Blogs

I often get ask how I know Deity exists. I must have some sort of proof to spent so much time on Them, after all. Well, yes, I do. I'm just not sure non-religious people would find it satisfactory.

I find the Gods in the little things and one of those things is synchronicity. Synchronicity is the experience of two or more events that are apparently causally unrelated or unlikely to occur together by chance, yet are experienced as occurring together in a meaningful manner. For me that means experiencing two separate events and trusting, in my gut, that they are connected--and then making the leap to contributing the second (or both) event(s) to Deity.

I understand this will never convince a sceptic.

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  • Brian Shea
    Brian Shea says #
    You have a mix tape for Hermes? I'm curious, what pray tell is on it?
  • Elani Temperance
    Elani Temperance says #
    I'm sorry, I am usually more dilligent with my links. The mix-tape to Hermes is here: http://baringtheaegis.blogspot.nl/2012/08/mi
  • Elani Temperance
    Elani Temperance says #
    Hudley; you have made yourself very clear. Thank you for your addition to my post. I, too, feel listening and trusting yourself an
  • Hudley
    Hudley says #
    Elani, I enjoyed reading your post on Synchronicity. It is a big part of my life. I have studied many religions and find that Syn

Posted by on in Paths Blogs

One of the key foundations of modern (and ancient) Paganism is also one of the most contentious. We find it very hard to talk about, it seems, and yet it's fairly key to many people's personal practice. When I've talked about it in the past, it almost seems like I'm breaking a taboo, with the words themselves being 'dirty' or embarrassing. And yet, learning from my passionate and heartfelt Heathen friends, that embarrassment is itself disrespectful, dishonourable and, ultimately, rather foolish.

Who are your Gods and Goddesses? What does Deity mean to you, and how does it influence and affect your Paganism? From the Platonic 'ultimate Male/Female' images (tallying with 'All Gods/Goddesses are One') to the pantheistic, international eclectic transference of pretty much any deity with any other no matter where you yourself live, talking about Deity is a tricky business. Especially because ultimately, nobody can really tell you you're wrong. Or right. Except, perhaps, those Gods themselves.

The Judgement of Paris (Classical)

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  • Julie Miller
    Julie Miller says #
    I enjoyed reading what you wrote. I have been working with the deities since a child. I am nearing 50 now and performed my first
  • Anne Newkirk Niven
    Anne Newkirk Niven says #
    Cat: Like Elani, you are articulating one of the major cutting edges of contemporary Paganism -- what *do* we believe? I, for one,
  • Rebecca Buchanan
    Rebecca Buchanan says #
    Wonderful post. I think about the Gods in general, and my patron/matron Gods, all the time. But too often I forget to stop, liste

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