PaganSquare
PaganSquare is a community blog space where Pagans can discuss topics relevant to the life and spiritual practice of all Pagans.
One of the main draws of science fiction is that it can examine ideas outside of their normal cultural context. Hard sf always starts with a "what if" based on science or engineering, which goes something like "What if we had x technology, and how would that change society?" Softer versions of science fiction are basically just set in the future, though.
When we think of spirituality in sf, we usually think of various types of meditation, such as the Litany Against Fear in Dune or the Vulcan mantra against pain in the original Star Trek, or depictions of religious ritual, such as the rituals and customs of different Newcomer religious sects in Alien Nation, the religions of various aliens in Babylon 5, etc. There are religious elements in sf that are obviously drawn from real world religions, such as the obvious Eastern influences on The Force in Star Wars and the depiction of the world as illusion in The Matrix.
...My space fantasy novel Planet of the Magi is published. It features a female protagonist who uses magic and is influenced in her moral choices by her planet's pacifist pagan minority.
The book includes people who follow two different kinds of pagan religion grown from the same root, one that remained on a planet that one that is practiced on a space ship. I proposed that the culture that remained on a planet is polytheistic, and tied their religion to seasons and agriculture and the gods that govern those things, but the ones who live in space developed into a henotheistic religion that honors a single creator goddess. There are also three different magical systems, one practiced by the ship group, one by the majority culture on the protagonist's planet, and one practiced by an order of warrior monks founded by aliens but now including humans.
...My path has taken a few sharp turns over the years, but I like to think of it as switchbacks on the same path up the same mountain. If I couldn't handle the turn, I'd be off my path.
In the Fireverse series of posts, I’ll be telling the story of how my relationships with the gods changed because of writing the unpublished, overgrown novel Some Say Fire. The book is a healing journey, and writing it opened me to receiving inspiration from the gods and to connecting with my own subconscious. The book is about the length of Lord of the Rings and took me about a year and a half to write. In writing it, I spent many hours thinking about the gods, retelling their stories, and being mentally open to receive their messages. There is more than I can put in a series of blog posts, even a rather long series. I’ll tell the most significant gnosis, and the most important events.
Here on the Gnosis Diary blog, I’ve been telling the story of my personal journey on my heathen path more or less in chronological order, and now we’ve caught up to where I was when I started writing it. I wanted to write Gnosis Diary because I have gnosis to share, messages given to me for humankind in the form of a novel that is at times horrifying, which some other heathens to whom I’ve shown it have found offensive, and which may be unpublishable. How can I share what I’ve learned if the book is never published, or if it’s published and never reaches a mass audience? How can I be sure people will realize which parts are actual gnosis and which are just part of the story?
Here on Gnosis Diary, I can pick out the parts of Some Say Fire that are genuine gnosis, and not only relate what flowed out when I was writing, but also interpret it outside the context of the story and tell what I think the message means. I already did that with the early post on this blog where I quoted part of a scene inspired by Sif and interpreted it as a message to humanity to stop using GMO Roundup Ready grains that poison the land. Hardly anyone liked that post, so I felt I had not gotten my message out enough, and that I needed to do something else to help the earth, and that was what led me to participate in the editing of A Pagan Community Statement on the Environment.
I also already relayed a message to humanity to please stop misusing the Rainbow Bridge, and that it is not a destination but the way to Asgard, and if one intends to go somewhere else, to please direct one's companions to where one expects to go, and if one wishes to direct one's animal companions to the Northern gods, to send them to the gods associated with them, such as cats to Freya and dogs to Nehellenia or Zisa. I concluded with a list of animal associations with the Norse gods. No one much liked that message, either, but people did like the list, so I expanded it and worked it into the new, expanded version of Asatru For Beginners that I'm working on.
When I write fiction or poetry, I often hear lines of dialogue or lines of poetry in my head. That’s quite common among writers. Over the decades that I’ve been writing, I have sometimes felt that what I wrote was inspired by Odin. For example, I wrote the poem Skadhi: Water Cycle by hearing it in a dream, waking up, and copying it down verbatim. Like a lot of other writers do, I’ve often heard fictional characters talking to each other in my head. So when I set out to write Some Say Fire, at first I didn’t realize that sometimes I wasn’t just hearing characters with the names of the gods talking, sometimes I was hearing the actual gods. I had never heard them speak before. Some people possess a “godphone,” but I’ve never been one of them. I didn’t even realize it when they started talking directly to me rather than each other. I just thought that meant there was a character that represents me in my book, so I put in a human protagonist. I didn’t realize it was really them until they started doing real things, and then it terrified me, because of some of the things I had written about them by then. In the 25 years between when I became Priestess of Freya and when I started writing Some Say Fire, I had never heard the gods speak to me. Writing this book cracked open my mind to them so that I could hear them. I usually don’t experience automatic writing, either, but I did sometimes while writing this book. I put my fingers on the keyboard and things flowed out.
I call the universe of Some Say Fire the Fireverse. It differs from our own world in some ways. Many of the things in the book are meant to show how messed up that universe is, so as to show why the Fireverse needs to end and be restarted so a better world can come about, which is the goal of the heroes of the novel. Some of the gods are different in the Fireverse, too. For example, Fireverse-Odin is as different from Asa-Odin as Marvelverse-Odin is. Nonetheless, writing the book became both a healing journey and a vehicle for receiving gnosis. I’ll be writing about those things in this series of posts.
Image credit: Francisco Farias Jr. via Public Domain Pictures
Today is the 28th. This date has personal significance for me, which will be explained in a later post. This is the date on which I honor the northern trinity each month, so it's an excellent day on which to begin the Fireverse blog series. Odin and his brothers are separate gods with distinctly different personalities, and yet they also appear in fused forms and borrow each other's powers and appear as each other. In honoring them, I have learned to embrace mystery over taxonomy. I'm learning to be comfortable with paradox. Today, I hail the tripartite god by all of his names: High, Just-as-High, and Third, Odhinn, Vili, and Ve, Wotan, Wili, and We, Odhinn, Honir, and Lodhur, Odin, Honir, and Loki, and by all his other names aspects and all possible combinations thereof. On this day I say: Hail the ninefold Odin!
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awesome! I just looked at eternal press. looks great! I may have something to dust off. have a great day.
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Excellent! You have a great day, too!
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Good idea for a project! I also have (more than one) large novel sitting in a dusty box, and they also were very spiritual process
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Thanks! If it's genre fiction, dust it off, I might want it for Eternal Press.
No Horns On These Helmets is a short story anthology with a theme of Vikings, heathen cultures, and Norse and Germanic mythology. I edited this collection of 20 stories by 20 authors, and also have one story in it myself. The genres included are fantasy, science fiction, historical, urban fantasy, and retold folktales.
I was asked to edit this anthology for two reasons: I write and edit in the science fiction and fantasy genres, and as the author of Asatru For Beginners, I know my heathen material. Right from the selection of the title, No Horns On These Helmets, the publisher (Sky Warrior Books) and I decided we wanted this anthology to have stories that got the historical details and the details of heathen mythology and culture right. There actually is one story in the anthology that has a character who wears a horned helmet, but that story is one of the humor pieces. I selected the stories first and foremost for authenticity. Some of the authors are heathen or pagan, and some are not, but they all know their history and mythology.
Link to the book:
http://www.amazon.com/gp/product/B00U3BF9GQ/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00U3BF9GQ&linkCode=as2&tag=skywarrishomepag&linkId=MU4FX5L2COQ32LIJ
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Glad you mentioned Diana Paxson; she and MZB collaborated on an entire series of Avalon books predating Mists, that start all the
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Thank you both for your comments. Yes, it is one of those tough questions regarding responsibility, a theme I see often in MZB's b
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This is my favorite novel and I've given some thought to all you have talked about here. Ultimately as is the case with most leade
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Good article. Just want to point out error at the end of the seventh paragraph. "Uther was born" should be "Arthur was born."