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Subscribe to this list via RSS Blog posts tagged in pagan authenticity

Posted by on in Culture Blogs
Post-Industrial Primitive

“So, what look are we going for?”

It was a good question. The general planning and walk-through for the Hunt ritual had gone well. Now the Hunters were meeting.

Well, what aesthetic were we after? Plaid and day-glo, no, but likewise loincloths and feathers were out, too. One reads funny, the other reads wannabe, and this is ritual: it needs to be real.

Well, the only pagans that we can honestly be is the pagans for our own time and place.

“Post-industrial primitive,” I said.

Which left most of us in jeans, skin, and face paint.

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Posted by on in Culture Blogs
Know Your Lake

Let's face it: Revival Paganism has an authenticity problem.

This state of affairs is hardly to be wondered at. Our roots have been cut. Things that should, by rights, have come down to us, we've had to figure out for ourselves. Like every learner, we've made our share of mistakes.

But there's a ready solution.

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Posted by on in Culture Blogs
The Kensington Runestone Is Genuine

Some years back a friend and I drove out to see the famous runestone in Kensington, Minnesota.

Purportedly discovered by a farmer clearing a field in 1898, the runestone's inscription records the supposed visit of 14th century “vikings” to what is now Minnesota. Experts have mostly written it off as a hoax.

I think that the experts are probably right. My initial impression when I saw the runestone was that it doesn't look like a runestone; it looks like a page from a book. Historic runic inscriptions tend to be serpentine, curvilinear, not neatly arranged on the page in lines of equal length.

But I still think that the Kensington Runestone is genuine.

Let me explain.

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Posted by on in Culture Blogs
The Once & Future People

Žemė, “Earth.” Pendant: amber (with vegetal inclusions), 2¾' x 1¾'. George Romulis, 2012

George Romulis, at 93, has been working amber for more than 70 years. He is an emeritus member of the Riga Amber-Workers Guild and one of the living treasures of Latvia.

This stunning pendant, titled Žemė, “Earth”, fits neatly into the palm of the hand, but its clean lines and boldness of form give it a striking monumentality; it feels larger than it actually is. It is also profoundly female. We all know these lines; we've seen them many times before: in the bodies of the women around us, as in what our coven kid Robin used to call the “clay ladies” of ancient Europe and the Middle East, here elegantly stylized but readily recognizable nonetheless.

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