There are many well known chariots and charioteers in ancient Hellenic mythology. All of the Theoi have one, and Helios and Apollo use one to bring light to the world. Hades kidnapped Persephone with His. Pollux and Castor were very skilled at driving the fast, light, open, two-wheeled conveyance drawn by two or more horses. Helios lost a son when he let his son Phaethon (Φαέθων) drive his chariot for its morning track through the sky. Phaethon flew too close to the earth and scorched it all; Zeus then cast him down with a lightning-bolt. Yet, these are not the charioteers the constellation is associated with. In this next installment of the constellation series, we will look at the Divine child the constellation refers to... and a few others, because the constellation Auriga has had many interpretations over the years.
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I talk about Delphi a lot; the place speaks to my imagination and every time I pull out my Tarot cards for a session, or ask Apollo to grand me a divinatory dream, my mind flashes back to it. I have written about how a session with the Pythia would go. I have also talked a lot about the Delphic Maxims, and some about the site of Delphi. What I haven't talked about a lot is its history...and its future. This is what I will do today.
As legend goes, a shepherd herded his flock up the side of Mount Parnassus. The sheep came upon a chasm and seemed to lose their minds. They started jumping around, and darting about. When the shepherd went to inspect the chasm, he fell under the influence of gasses that welled up from it. He lost all his worries and cared not about the time. He simply wished to remain there and gleam the knowledge he felt at the edges of his mind.
When he did not return, his family went to look for him. They took him home and put him to bed. Everyone was worried by his strange behavior, but he seemed to be calmer when the morning came. Yet, the shepherd's behavior had not returned to normal. He was able to foretell the future. Soon, word of the shepherd's ability, and the chasm, spread. People came from far away to either talk to the man or go to the source. Yet, those who visited the chasm lost their minds as well, and sometimes even jumped in the chasm.
Say the words "coloring book" and most people conjure childhood memories of kitchen tables or classroom desks covered in crayons, markers, or (if they were lucky) paint and brushes. Coloring books, with the rare exception, were and are targeted at children. In most cases, I am sure, the publishers are not specifically targeting a Pagan audience. Nonetheless, there is a large number of coloring books which will appeal to adults and children from a variety of Pagan paths. Those that deal with mythology and ancient history, in particular, can be great resources for parents and teachers, inspiring kids to ask questions about the hero or God or Goddess or culture before them.
I still love coloring books. Perhaps that makes me odd, but there is nothing quite like returning to a favorite childhood activity after a stressful day of adulthood. It is comforting and reassuring. My latest acquisition is The ABCs of Lesser-Known Goddesses: An Art Nouveau Coloring Book for Kids of All Ages by W Lyon Martin. The twenty-six Goddesses included here are from cultures all over the world: Roman (Aestas, Pax), Chibche (Bachue), Greek (Chimera, Leucothea, the Moerae, Nike), Chinese (The Dark Maid, Wang Mu), Celtic (Flidais, Gula), Hittitte (Hannahanna), Cherokee (Igaehindvo), Semitic (Jerah), Egyptian (Kebechet, Opet), Incan (Quinoa-Mama), Hindu (Raka, Ushas, Vasudhara), Shinto (Tatsuta-Hime), Aztec (Xochiquetzal), Aboriginal (Yhi) and Russian (Zorya). I will definitely be doing research on some of these Goddesses.
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These are some GREAT choices - which I will happily share with others! May I also suggest "Rupert's Tales: The Wheel of the Year
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These are some GREAT choices - which I will happily share with others! May I also suggest "Rupert's Tales: The Wheel of the Year
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These are some GREAT choices - which I will happily share with others! May I also suggest "Rupert's Tales: The Wheel of the Year
I’ve very grateful for all of the on- and off-blog posts to me about the question of evil. It is gratifying to know that I’m being read. Before we go deeper into specific subjects, I want to take a step back and gain some perspective on our project. This blog is an experiment in what is technically called Systematic Theology. It is systematic in that it endeavors to cover core issues pertaining to a religious tradition, here Pagan, in an orderly, coherent, where appropriate rational, and hopefully complete way. This is different from Practical Theology, which has to do with applying theology to life (although we’ll do some of that too). Practical theology has a variety of sub-disciplines like pastoral, political or liturgical theologies, dealing with theology in the context of the practitioner’s service to a population, or in application to political or social discourse, or with respect to ritual practice, respectively. But now, I want to talk about the idea of theology itself.
I am a Latin teacher currently (and laboriously) working my way toward a PhD in Classics. I read a lot of Latin texts (in Latin and usually with quite a bit of cussing along the way as I attempt to untangle classical Latin syntax). Fortunately, for the most part, I enjoy this and one of the tangential elements that I find particularly satisfying in my studies is occasionally coming across an interesting reference to ancient Roman [polytheistic] religion along the way. It happens a lot and for all that I am Heathen, not a practitioner of Religio Romana, I find that every time I read about how a man or woman, raised in Roman culture, steeped in its religion honored his or her Gods, I find my own practices enriched.
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Anne, I"ll try to write something on that soon.
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I've been pushing for a re-recognition of the spirits of the land and household for years, now, both in my personal practice and e
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I'd love to hear more about *how* to connect with the small gods of place; although I'm quite well acquainted with the larger deit
In the spirit of sharing more about the Hellenic festivals, I'm combining two of the coming ones in this post; three if you count a reference to a past one I hadn't talked about yet. Like I said on Sunday, I really only pay special attention to the festivals that resonate with me. This is not picking-and-choosing--because I try to at least offer libations to the stars of every single festival--but simply a matter of practicality.
I have to accept that I am a solitary Hellenic, which is a bit of an oxymoron. Like being a solitary Wiccan, being a solitary Hellenic is really not possible. Hellenismos is a community religion, like most of the Recon Traditions. Yes, you can focus solely on household worship, but in my view of the religion, you're practicing only half of it if you do that. The festivals made up a huge part of ancient Hellenic worship. With around ten festivals that took place outside of the home every month, it's hard to ignore that they mattered very much.
I feel it's very important to honor the festivals in my own small way, and I have come to realize that the festivals really make me long for a Hellenic community of my own. For a lot of the festivals, the entire city or town--especially in Athens--celebrated. Men, women, children, slaves, free men, everyone. There were special festivals for nearly all of them. Two women-only festivals were the Stenia and the Thesmophoria.