Halloween stems from the grand tradition of the Celtic New Year. What started as a folk festival celebrated by small groups in rural areas has come to be the second largest holiday of today. There are multitudinous reasons including modern marketing but I think it satisfies a basic human need, to let your “wild side” out, to be free and more connected with the ancient ways. This is the time when the veil between worlds is thinnest and you can commune with the other side, with elders and the spirit world. It is important to honor the ancestors during this major sabbat and acknowledge what transpired in the passing year as well as set intentions for the coming year.
This is the ideal time to invite your circle; the ideal number for your “coven” is 13. Gather powdered incense, salt, a loaf of bread, goblets for wine, and three candles to represent the triple goddess for altar offerings. Ideally on an outdoor stone altar, pour the powdered incense into a pentagram star shape. Let go of old sorrows, angers and anything not befitting of new beginnings in this New Year Bring only your best to this auspicious occasion.
On October 31, the veil is thinnest between the two worlds of the living and the dead. It is of vital importance to honor the dead. One way to do this is to create a special altar for this day, a tradition that comes down to us from the Celts among others. Create a new shrine just for this occasion with a chest of table in your home where people will see it and acknowledge your ancestors. On the altar, place photos, letters, and any mementos that will bring the energy of your late loved ones close.
Place candles on the altar and light them during twilight. While it may seem uncomfortable at first, talk to your ancestors and tell them about what is going on in your life. Share memories and speak about whatever you feel inspired to speak of—grief, hopes for the future, troubles, all you need to share. Take as much time as you need with this. Place the bowl of water with white flowers—gardenias are an excellent choice—on the altar and leave it overnight.
For all its liturgical and cultural importance, Samhain has yet to inspire much popular music.
So when we end our big public Samhain ritual by joining hands and announcing, “Let's finish with the Samhain song that everybody knows,” you'll see eyebrows go up all around the circle.
When you first start in, you'll get a nice laugh, and then folks will belt it out like they mean it. After all, what's Samhain for, if not for Old Long Ago?
Samhain is in the air, and with it a new year to celebrate life and read! For this installment of Well at World's End we'll take a look at the Pagan themes in Diana L. Paxson's novel, The White Raven, and specifically the depiction of ceremony filling the pages. It is the perfect book to begin the new cycle, as the story begins and ends on Samhain. To read along, you can visit: www.diana-paxson.com (If you're a Diana L. Paxson fan, you'll be happy to know I'm working with her on an in-depth interview, which is forthcoming in Witches & Pagans Magazine. So stay tuned!)
The White Raven retells the story of the lovers, Tristan and Iseult, depicted in the book by their Celtic names, Drustan and Esseilte, who are later betrayed by the king. It is told through the eyes of Branwen, the White Raven, who is raised alongside Esseilte by the Queen of Eriu. Paxson's story is steeped in history and Celtic lore. Here we see the junction of the Old Ways and Christianity. Steeped with Pagan themes, it is the depiction of ceremony that makes this a treat. Let's look further.
Steven Posch
Your good will is a light to us all, Janet. Thanks.
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