Our Minnesota weather's been lushly Mediterranean of late, so naturally (such is the life of the wandering scholar) I've been thinking about bull-leaping.
I'm wondering if maybe—just maybe—the scholars have got it wrong.
Admittedly, my knowledge of the literature on the subject is not exhaustive. Still, on the basis of information available (to me, at any rate), I have the impression that much, if not most, current scholarship assumes that what we see depicted in Minoan art—what Mary Renault so charmingly calls the Bull Dance—is a sport, if perhaps a sport with religious overtones. Discussion tends to center on whether such a sport would actually have been physically possible or not.
I am given to understand that the scenes of bull-acrobatics that we see—on the golden ring-seal shown above, for example—are simply not possible; that bulls gore sideways rather than upwards, as the leaping scenes would imply. Contemporary athletes have been unable to duplicate the classical frontal bull-leap shown in Minoan art.
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Europa; Minotaur; & Pasiphae's luring of the Bull are all possible mythological memories of the bull dance.
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I'm totally with you about the need for a mythological basis for bull leaping. It must have been inspired by some portion of the m
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My thanks to you both: I was hoping to hear from people with more personal knowledge of the subject than this son of the suburbs c
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BTW some of my information comes from animal trainers whose bulls appear in movies and commercials. Bulls are quite trainable and
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Steven, I love your thoughts on this subject. Having grown up on a farm, I can tell you, a bull calf that is used to being handled