My first essays tried to establish two important points about Pagan religion, and to some degree religion in general. My third ties them together....
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Do you ever long for an ancient temple to visit or wish that there was a centuries old place full of a rich history of the feminine Divine to tap into? I don't always, but sometimes I do. I love Gaia and do feel that for the most part my worship and meditation is wherever I am; this is especially true for me when I am outdoors. While there are places I could go, temples to visit, and other gatherings, they are not always accessible.
That's when I turn to museums and art galleries to seek out a human expression of the goddess. A few years ago this was limited to the small college art gallery in the tiny town I lived in. This past year I have been fortunate enough to live near a major art museum with a classical collection. Now, I am in the process of moving again, and I don't know what I will find in my new town. So, to tide me over, I took one last trip this year to one of my favorite places, the St. Louis Art Museum.
I want to share some of my favorite images of Goddesses with you, which you can view if you ever find yourself at SLAM.
Often when I sit down to draw or paint, I don’t have a preconceived plan. I just want to start putting something down on the paper; maybe a few lines with a pencil, maybe just wild strokes of color.
This time, though I had something specific in mind. In fact, I’ve had it in mind for a while now. I’ve even made a few attempts in recent weeks, but each time there has been a disconnect between my head and my hand. I want to portray the Goddess in winter, but instead I keep filling my paper with the hot and bright colors of summer....
For this Halloween blog entry of mine, I would like to give our kind attention to a truly fascinating interview subject, Stonie Rivera. Rivera has been a a local legend on the Milwaukee music scene for some time. Her punk bands Dummy Club and the Psycho Bunnies were well-loved and the former performed memorably at last year's, "Lest We Forget" concert at Turner Hall Ballroom, which also highlighted the talents of Die Kreuzen. The following are some of Rivera's thoughts on music, the arts, and running an underground art gallery which also houses a pleasant collection of occult supplies. And oh yes, she is a practicing witch.
As the upcoming Mercury retrograde and the natural progression of the seasons here in the Northern Hemisphere takes us on a journey into the Underworld, let us contemplate our deep, ancient ancestors. Fittingly, we will travel into the caves of our past, if only in our minds.
Cave paintings have been presented to us as a masculine narrative. Often, these stunning examples of paleolithic art, have been interpreted as created by male hunters to increase the hunt. Other theories have suggested that the paintings were to communicate something to visitors to the caves, perhaps of religious significance. Intriguingly, these paintings depict both predator and prey animals. However, that’s not all. Cave paintings also sometimes depict voluptuous female figures and symbols for the vulva.
Who painted these images?
"The truly great ones become less creators of art than conduits for the wild art that exists at large in the Universe."
That line is a joke. Literally. It's spoken by a character in a play of mine, an actress pretending to be an author. It usually gets a big laugh. My playwriting is an integral part of my spiritual practice, part of honoring creative freedom, as we say in the Principles of Unity.
I was backstage during a performance of that play last month, and I thought, What if it's true? What if I am a conduit for the wild art that exists at large in the Universe?
"Even though modern culture has done it's best to corrupt art into a celebrity production machine, simply another form of entertainment, designed specifically as an opiate to the downtrodden, gluttonous, and vapid, it fails because the artist knows better. Art is magic. Art is one of the rawest shamanistic forms of connection with the universal source of everything, but only if the artist is brave enough to give the audience what it needs rather than what it thinks, or has been told, it wants." --Peter Beckley