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Posted by on in SageWoman Blogs

b2ap3_thumbnail_Screen-Shot-2016-03-29-at-12.46.04-PM.pngAutumn Skye Morrison (Powell River, BC) In creating art I find my stillness and rhythm, my teacher and passion. Each painting offers a reflection of the light and shadow of our humanity, our sublime geometry and our timeless divinity. May we celebrate this fantastic adventure, inspire and be inspired. autumnskyemorrison.com

Miss Ascentia (Stewartville, MN) is a Priestess of Poetry & Song, Professional Plant Spirit Advocate, Vision Quester & Sundancer adept in the High Technologies of Prayer, Craniosacral Therapist and Educator, Birth Doula and a Devout Student of Metta. ascentia@live.com

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Posted by on in Paths Blogs
At the Couch of the Gods

At a recent occult meet-up, the topic of the discussion was "Goddesses" and we had gotten to the point where we were discussing our experiences and perceptions.  Perhaps because there was a light focused down directly where I was sitting, I was especially talkative at that meeting.  

During one of my ramblings, the following description dropped out of my mouth: "With my art, versus my personal practice, I can't say that I'm specifically aligned with any certain deity or pantheon.  Rather it's like there's this mystical psychiatrist's couch in my studio, and They line up to have a lay down and tell me Their problems and what They want for art."  Up until that moment, I had never really voiced it, but that's exactly what it feels like to make my art. 

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Posted by on in Paths Blogs
The Magick of Coloring

1-2 years ago, when friends and clients told me I should come out with a coloring book of my art, I must confess I was rather perplexed, and the thought conjured up images of newsprint booklets for children, full of cartoons.

Which mind you, it didn't seem like a terrible idea, as I have thought of writing and illustrating children's books, but I wasn't confident that my regular art was entirely child-appropriate. Heck, my work tends to unsettle most adults who are not of an esoteric persuasion, I didn't want to be responsible for freaking out small children. 

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Posted by on in SageWoman Blogs


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“If there is one chant in the universe it is to create.”

–Chris Griscolm quoted in Nicole Christine, p. 25

If you have ever eavesdropped on a conversation between my husband and me around the clamor of our four children’s voices, you will hear me making a tired lament: “All I want is a broad swath of uninterrupted time.” In listening to Elizabeth Gilbert’s new book, Big Magic, on audio book I was interested by her mention that many creative people lament not having long stretches of uninterrupted time available in which to work. She quotes a letter from Herman Melville to Nathaniel Hawthorne, lamenting his lack of time and how he is always pulled “hither and thither by circumstances.” Melville said that he longed for a wide-open stretch of time in which to write. She says he called it, “the calm, the coolness, the silent grass-growing mood in which a man ought always to compose.”

…I do not know of any artist (successful or unsuccessful, amateur or pro) who does not long for that kind of time. I do not know of any creative soul who does not dream of calm, cool, grass-growing days in which to work with- out interruption. Somehow, though, nobody ever seems to achieve it. Or if they do achieve it (through a grant, for in- stance, or a friend’s generosity, or an artist’s residency), that idyll is just temporary—and then life will inevitably rush back in. Even the most successful creative people I know complain that they never seem to get all the hours they need in order to engage in dreamy, pressure-free, creative exploration. Reality’s demands are constantly pounding on the door and disturbing them. On some other planet, in some other lifetime, perhaps that sort of peaceful Edenic work environment does exist, but it rarely exists here on earth. Melville never got that kind of environment, for instance. But he still somehow managed to write Moby-Dick, anyhow.

Source: Elizabeth Gilbert On Unlocking Creativity, Ideas As Viruses . News | OPB

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Posted by on in Studies Blogs
When Long Shadows Fall.... Artists Get to Work!

When long shadows fall and dwarf the trees at evening 
When white winter light burnishes the streams 
The I will bring you a coat of soft lamb's wool 

To keep your back from the keen northern wind

When snow shames the sheep that huddles to the leawood
When snow drops peep form darkness unfurled
Then I will bring you boots with fur linings
To keep your feet dry as you walk o'er the world

When home becomes a prison and snow drifts lock the door
When February fill dyke drenches the moor
When black rain freezes and whips at your hand
Then I will bring a carriage with wheels of wind
To take you away from this barren land
 
~ From "Winter: Long Shadows" by Maddy Prior

 

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Posted by on in Paths Blogs
Designing With The Divine

Sometimes when I make art, I take on the role of psychopomp - creating art for the dying and deceased, as well as those left behind: a death mask for a dying man, a painted mailbox for a gravesite for a young teen, portraits of beloved pets who have left this world. 

Sometimes my art leads me to the path of the Oracle, creating work for clients to help clear their paths that starts with a Tarot reading and ends with a painting or talisman: finding or defining a vocation, marking a new beginning, or helping to find resolution in the past so that new work can begin.  

Sometimes when I am making art, I am the Witch and Conjurer. I pull from my own inner visions to create images and unravel myths.  I can simultaneously make works for myself, for everyone, for anyone, and for no one at all, weaving the materials into spells and stories.  There is all of the meaning to be unlocked - or none at all, seen and unseen. Much of my work tends to fall into this category. 

And sometimes when I make art, I am the Priest and Priestess. The process goes beyond communing with the media, materials, and inklings of visions, and becomes a conversation with Someone Else. You can call it Spirit, God, Goddess, the Mighty Dead, the Ancestors, but those are just labels that help us grasp Them. I have worked with Many over the years - pretty much from every path that you can think of.  Sometimes it is for a client, who has been called to have a certain piece (or pieces) of artwork on their altar by their Patron/Matron.  Other times, I'll be working on a concept and it will have the effect of calling in Someone new (or old).  

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Posted by on in Paths Blogs
Objectification

Objects can hold power, and collect energy.  In "The Magick of Making", we explored how magick can be instilled into artwork by the maker.  But what if you're not an artist/maker? And what about items that weren't originally made with magical intent but take on meaning for you? 

Even if you don't consider yourself a "material" person, there is undoubtedly some sort of token that means more than the sum of its parts to you: your grandmother's thimble, a book from your father, the feather you found on the street on that really rough day, the rock from the hike you went on during that vacation, your "lucky" sweater. 

Whether an item is made by humans, manufactured by machine, or created by nature, it has the potential for meaning, and meaning can be acquired most typically via association or by function. 

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  • Melissa
    Melissa says #
    I had to smile when you started talking about mugs. I have a mug that was given to me by a good friend of mine, just before she di

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