Goddess Centered Practice
In the woods behind my house rest a collection of nine large flat rocks. Daily, I walk down to these “priestess rocks” for some sacred time alone to pray, meditate, consider, and be. Often, while in this space, I open my mouth and poetry comes out. I’ve come to see this experience as "theapoetics"—experiencing the Goddess through direct “revelation,” framed in language. As Stanley Hopper originally described in the 1970’s, it is possible to “…replace theology, the rationalistic interpretation of belief, with theopoetics, finding God[dess] through poetry and fiction, which neither wither before modern science nor conflict with the complexity of what we know now to be the self.” Theapoetics might also be described, “as a means of engaging language and perception in such a way that one enters into a radical relation with the divine, the other, and the creation in which all occurs.”
Poem: The Perfect Beltane
The Perfect Beltane
The cool touch of dew
across cheeks and brow,
a single pink dianthus emerging
between stones,
sunlight kisses through leafy canopies,
a circle of flower petals,
a gentle hoop of wild raspberry cane
making a celebration arch
under which to sit
on a broad flat stone,
gooseberry bushes by my knees
and the sound of wild turkeys
rising from the valley,
as the sun lifts steadily
into the sky.
It is this small magic
of living I crave
and delight in,
the silent ceremonies
of surprise and skin
that arise before my eyes
and sink into my bones,
the very day itself
the ritual handbook
of a wild witch alone.
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