Modern Minoan Paganism: Walking with Ariadne's Tribe

Walk the sacred labyrinth with Ariadne, the Minotaur, the Great Mothers, Dionysus, and the rest of the Minoan pantheon. Modern Minoan Paganism is an independent polytheist spiritual tradition that brings the gods and goddesses of the ancient Minoans alive in the modern world. We're a revivalist tradition, not a reconstructionist one; we rely heavily on sharedl gnosis and the practical realities of Paganism in the modern world. Ariadne's thread reaches across the millennia to connect us with the divine. Will you follow where it leads?

Find out all about Modern Minoan Paganism on our website: https://ariadnestribe.wordpress.com/. We're a welcoming tradition, open to all who share our love for the Minoan deities and respect for our fellow human beings.

  • Home
    Home This is where you can find all the blog posts throughout the site.
  • Tags
    Tags Displays a list of tags that have been used in the blog.
  • Bloggers
    Bloggers Search for your favorite blogger from this site.
  • Login
    Login Login form

A toast to the Minoans!

It can be hard to figure out what kinds of rituals and traditions people of the past had, especially if we don't have any written records of them. But sometimes art can help. The image at the top of this post is part of the Camp Stool fresco from Knossos, the largest of the ancient Minoan cities. It shows a banqueting scene that includes ritual toasting, a common activity in many societies from that time. Here's a reconstruction of the whole fresco, with two rows of people participating in toasts and possibly libations (poured offerings) as well:

Camp Stool fresco from Knossos

To us, this might look like a slightly stiff and formal party, but we have a couple of clues that let us know it's more than that. First, the fresco was on one of the walls in the temple complex at Knossos. This was a huge building devoted to the religion of the ancient Minoans. The complex also involved the administration of the temple's farmland, workshops, and vineyards, but it was first and foremost a religious setting. So that's a clue. We also know that ritual toasting occurred in other ancient cultures, including ones the Minoans traded with. For instance, here's a scene from the Standard of Ur, a work of art from Mesopotamia that dates to about the same time as the Early Minoan period:

Standard of Ur

You can see that the image has a similar feel: a row of people in sort of stiff positions, making the ritualized gesture of a toast. There's really no attempt to depict these people as individuals. Instead, they're performing certain roles in the ceremony.

We can't honestly say that we know exactly what the details of these ceremonies were, which deities they honored, and what words were said. But we can be pretty sure the Minoans were drinking either wine or mead (the Sumerians may have been drinking beer). The whole thing reminds me of the sumbel, a toasting ritual that modern Norse Pagans have revived based on the Norse and Anglo-Saxon literature. I suspect many cultures had similar ways of honoring their gods. After all, at a big party or wedding reception, isn't a toast the standard way to honor your special guest?

We even have examples of the footed, two-handled chalices the participants in the Camp Stool fresco are using for their toasts. Sir Arthur Evans found a bunch of them at Knossos. Here's a photo of some of them:

Minoan pedestal goblets

And here's a drawing of some others, also from Knossos:

Minoan pedestal goblets drawing

These pedestal goblets or stemmed goblets, as Evans called them, are the precursors to the Greek cup called a kylix that was often used for drinking wine and toasting in later Mycenaean and Hellenic Greek culture.

If I'm going to talk about the Camp Stool fresco, I'd better include its most famous face: La Parisienne. You can see her on the top row of the full fresco image above. Here's a close-up:

La Parisienne

She's called La Parisienne because Evans and his fellow excavators thought her fancy makeup made her look like a Victorian-era Parisian woman (probably from the red light district!). The Minoans did indeed use cosmetics so her ruby red lips and black-lined eyes aren't actually out of place at all. But what's most important is her clothing, especially that wad of fabric on her shoulders. That's asacral scarf, which indicates not only that this is a ritual scene but that she's a priestess or maybe even a goddess. [UPDATE: There is some contention that La Parisienne is a forgery crafted by the artists in Émile Gilliéron's studio to support Sir Arthur Evans' theories about Minoan religion. Evans wanted a female figure to be central to all Minoan art in support of his monotheistic goddess theory. La Parisienne doesn't fit easily into the fresco; she's a different scale than all the male figures. Still, she's iconic, a well-recognized work of Minoan art, so I've chosen to include her here in case she is original to the fresco.]

So if you're looking for a simple ritual to perform in honor of the Minoan gods, I suggest this: Pour a libation to the gods first since that's the polite thing to do, then drink a toast to them. If there are several of you celebrating together, pass the cup around and let each person offer a blessing or word of thanks to the deity before drinking. Savor the beverage and relish the fact that you can perform a ritual that connects you with the gods the same way people have been doing for millennia.

In the name of the bee,

And of the butterfly,

And of the breeze, amen!

Last modified on
Laura Perry is an artist, writer, and the founder and facilitator of Modern Minoan Paganism. The Minoans of Bronze Age Crete have been a passion of hers since a fateful art history class introduced her to the frescoes of Knossos back in high school. Her first book was published in 2001; one of her most recent works is Labrys and Horns: An Introduction to Modern Minoan Paganism. She has also created a Minoan Tarot deck and a Minoan coloring book. When she's not busy drawing and writing, you can find her in the garden or giving living history demonstrations at local historic sites.

Comments

Additional information