Eclectic Elementals: The Magic & Spirituality of the Elements

This is not a specifically named, established path like Asatru, Kabbalah, Hermeticism, Kemeticism, Wicca or Santeria. Yet the Elemental Path can be adapted to any practice, traditional or modern, and the Elements are indeed present and utilized in all practices and systems. It can also be, as it is for me, its own completely original, self-contained and self-defined path. It is the path of peeking behind all the named and well-presented curtains; of getting to the heart of All and of connecting to and honoring the mystical, essential building blocks of everything in existence, from the planet to our souls.

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Meredith Everwhite

Meredith Everwhite

I have been studying and practicing the occult to varying degrees for most of my life now. My personal path has led me from being forcefully raised as a reluctant Mormon, to an agnostic wanderer studying all religions, to a witch and heathen (first in groups/covens then as a solitary) to a shamanic practitioner and now to just myself - an unaffiliated, unlabeled, godless worshipper of Nature and the Elements.
Everyday Elements Part 1: Cooking and Cleaning

Even in the busiest, most crowded, modern, neon-lit metropolitan areas, we come into close contact with the elements countless times a day. Even – or, especially – with all our technology we truly cannot live without them!

I’m often reminded of a line from one of my favorite songs by Lady Isadora, a witch, priestess and talented singer/songwriter who pioneered the Pagan musical genre in the early 1980s. It is from her song “Witch” – “I call myself a witch because I’m not afraid to tell that the magic is in life itself, not just in some ancient book or secret spell”.

Indeed it is! Magic is everywhere at all times and it is manifested through the elements in more ways than we sometimes realize. Even the most devoted Pagan or witch can struggle to maintain their ideal practice in this demanding, fast-paced age. However, much comes down to perspective and a slight shift in our approach to “mundane” tasks can go a long way toward helping us maintain a wonderful connection to nature and to enhance our magic.

There are four things that, for the most part, we all do on a regular basis, and they each correspond nicely to the four elements: cooking, cleaning, healing and learning – fire, water, earth and air, respectively. Simple awareness and gratitude for the elements and all they allow us to accomplish in our daily lives can help create all manner of easy yet effective rituals, grounding states of mind and to raise our vibrations.


Cooking – Fire

Even if you don’t manage anything more complex than microwaving a Stouffer’s entrée or brewing a pot of coffee, not much cooking can be accomplished without fire in some form or another. A pot of boiling water on a ceramic cooktop can easily conjure images and the energy of an old bubbling cauldron suspended over an open flame in a hearth, and be just as magical.

Obviously real cooking – that is, from scratch or close to it, and going through steps to peel, chop, sauté, flambé, marinate and macerate different fresh ingredients – is not only always more likely to be much more healthy, but it is a wonderful way to connect to ancestors and can be very meditative and easily ritualized.

There are so many wonderful books about kitchen witchery that teach about spells that can be incorporated into cooking, include magical and unique recipes specifically designed for sabbats, and give ideas for turning your whole kitchen into a shrine/altar to nourishment, magic and, of course, fire!

One of my favorite such books, at least that I actually own, is “The Kitchen Witch’s Cookbook” by Patricia Telesco. While I am not Wiccan, I find Scott Cunningham’s “Wicca in the Kitchen” to be a wonderful reference for the general energies and associations of most herbs, fruits, vegetables and several other ingredients. I feel it could have easily (and perhaps more accurately) been entitled simply “Witchcraft in the Kitchen”, but that’s just my opinion based on the content of the book which doesn’t seem to reflect the specificity of just Wicca.

Another favorite is “A Sorcerer’s Cookbook”, by Brigitte Bulard-Cordeau. It is not exactly geared toward the kind of magic and ritual that specifically pagan kitchen witchery books are, but it is visually stunning, filled with very unique and interesting recipes and still has lots of fun and enlightening information about folklore, history and magical uses associated with the ingredients and recipes.

Fire is the great transformer of the elements, and its use in cooking and preparing the food that we ingest can also transform us, our health and energy. No matter what we make or how, it all begins with fire.

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Elemental Initiation

It is a safe assumption that every Pagan, particularly any practitioner of magic, is familiar with the Elements and the role of each in life and in magic.

What is less certain is the extent to which they are truly understood, the relationship each Pagan or mage has with them, and the ability to work with them in one’s spirituality or magical practice. Even less certain still is the humility and respect they are given. It seems easy for many to think of the Elements and “elemental magic” as accessories, mere branches of magical theory or of natural spirituality. Yet they are the roots, the trunk, every branch, every bud, leaf and blossom.

It is a continual, endless endeavor to learn of the elements. No one has ever “graduated” from elemental studies or magic as though it is as simple as reading those few, late-coming chapters in certain books and grimoires as I addressed in my earlier post “Back to Basics: All Magic is Elemental”.

If you really want to understand the elements, if you really want to base a deep, effective magical practice and/or spirituality upon them, you need to be initiated into their energies.

Many Pagans and witches undergo formal initiations into certain traditions, covens and paths. Yet how many of us pledge ourselves, not to any specific group or anthropomorphic deity styled and defined by others, but simply to Nature herself, to the Elements, and become devotees of that visible and invisible world that resides behind, under and throughout all existence?

Even if you are of a more solitary “wild witch” bent, and you have indeed initiated yourself as a witch, steward and priest/priestess of Nature, have you undergone any elemental ordeals to strengthen your connection to them and your ability to use them in magic? What are such ordeals, you say? Well…read on, dear one.

In “Doctrine and Ritual of Transcendental Magic”, the famed French occultist and magician Eliphas Levi informs us that,

“To govern elementary spirits and thus become king of the occult elements, we must first have undergone the four ordeals of ancient initiations; and seeing that such initiations exist no longer, we must have substituted analogous experiences, such as exposing ourselves boldly in a fire, crossing an abyss by means of the trunk of a tree or a plank, scaling a perpendicular mountain during a storm, swimming through a dangerous whirlpool or cataract. A man who is timid in the water will never reign over the Undines; one who is afraid of fire will never command Salamanders; so long as we are liable to giddiness we must leave the Sylphs in peace and forbear from irritating Gnomes; for inferior spirits will only obey a power which has overcome them in their own element. When this incontestable faculty has been acquired by exercise and daring, the word of our will must be imposed on the elements by special consecrations of air, fire, water and earth."

It is my opinion that certain beliefs and teachings such as these are perhaps, in ways, more valuable to the scholar and historian of the occult as curios on a shelf in an antique shop of magical and philosophical ideals. Yet many of them can still be of great benefit to the modern practitioner and student who can see the abstract lessons and inspirations between the lines of the grandiose notions and practices of high magicians of earlier centuries.

I hold this belief mostly due to the prior belief that it is not for us to “govern” the elements. We need not attempt to “reign over the Undines”, but to adapt to their fluidity, to learn empathy from them and how to benefit from their powers when we welcome them to a ritual or ask for their aid in a spell. I would simply adjust what Levi claims and say that one who is timid in water will be less able to understand or call upon the assistance of Undines and similar beings.

One who is (irrationally) afraid of fire will also not be able to form a close relationship with Salamanders and other fire elementals, or to effectively use such energy in rituals and spells. However, it is again folly to try to “command Salamanders”, but better to humble ourselves before the majesty of fire and to never forget how quickly it goes from a pleasant, single candle flame to a raging destroyer.

b2ap3_thumbnail_Paracelsus-salamander.jpg

For, as Manly P. Hall very wisely points out in one of my favorite references, “The Secret Teachings of All Ages”,

Man, incapable of controlling his own appetites, is not equal to the task of governing the fiery and tempestuous elemental spirits.

I could not have said it better myself. This is an age of excess, of indulgence and shallow, immediate gratifications; of technology, of countless insidious influences, energies, temptations and of more, more, more of absolutely everything. Including misconceptions and downright falsehoods.

Therefore, it behooves us even more than arrogant men of the 19th century to consider that we are lesser to the Elements and elemental beings in many ways, and that they are not “inferior spirits” at all, as Levi says. We must also understand that we have great ability and therefore responsibility with them. They answer to our very thoughts and they are attracted by our every motion and will. Yet they in turn can also influence and control us if we allow them to, with either positive or negative results. Elementals have even been known to pose as other beings and spirits.

That being said, this is still a wonderful concept and potential practice or tool for learning and enhancing magic. What then is the purpose or benefit of these “elemental ordeals?” Rather than overcoming the elements in their own domains to be able to govern or dominate them, we should do so in order to understand them better, be awed and humbled by them, and to form relationships with them that will enrich our magic, our spirituality and our very lives.

It is likely that over the course of your life you have already undergone what can easily be viewed as at least some degree of an elemental ordeal. Have you escaped a burning building or even extinguished one? Firefighters obviously experience ordeals of Fire all the time. Have you scaled a mountain or hiked up an active volcano? Many extreme outdoorsmen/women have endured a variety of ordeals of Earth and Water, possibly of all the Elements. Have you experienced a strong earthquake? Have you ever gone skydiving, hang gliding or on a long-distance swim?

I personally have experienced multiple ordeals of Water, primarily and unsurprisingly, given my personal elemental affinity, and also of a combination of Water, Air and Fire: a category 5 hurricane. I detail that experience and my resulting love for hurricanes and their power and purpose on my blog, The Oracle of Water, in two parts – “Cataracts and Hurricanoes”

While there is much to be said for elemental ordeals that come to us naturally and unexpectedly, there is also great power, if not greater, in consciously choosing to undergo such ordeals and even ritualizing them.

I can’t give a more earnest, cautionary disclaimer here though: please don’t suddenly attempt to walk across hot coals or jump out of a boat in a raging sea or do any such thing you are unprepared for. There is a reasonable way to go about things and a terribly stupid way. Yet these are indeed ordeals for a reason – where Nature and the Elements are involved, there is always going to be an inherent degree of risk and possible danger.

Fortunately there are many different types and levels of the experiences and ordeals that can still thoroughly enhance your understanding of and connection to the Elements. For example, especially if you’ve never done it before, something like going camping and sleeping under the stars near a (well-contained and easily extinguished) fire you built yourself is a great start.

We are privileged to have the Elements and elemental spirits come to our aid in all manner of spiritual practice and magical workings, but we do not necessarily have a right to them. At least not if we are going to try to “command” them and therefore open ourselves up to either abuse them or be controlled by them ourselves. Honor them, and they will be there for you and they will teach you. They are always there, and they usually teach us regardless of whether we like it, want it, or are even aware of it. Yet all the better if we can ever have it on our own terms!



© 2019 Meredith Everwhite - All Rights Reserved

Featured image: The North Wind Went Over the Sea from East of the Sun, West of the Moon by Kay Nielsen

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Back to Basics: All Magic is Elemental

“Elemental Magic” is not only a redundant term but, in many resources, it is often written about and distinguished almost as a semi-obscure, very specific branch of magic. Does anyone really work any magic that is not, in some regard or form or another, “elemental”? If the elements comprise all of nature, including our bodies, and if we are constantly surrounded by them, then surely not a single move we make, magical or mundane, is beyond or apart from the elements.

The constant breath that keeps us alive is air magic. The need to continually replenish our bodies’ hydration, which also keeps us alive, is water magic. The light by which we see, the heat with which we cook and warm ourselves and even the combustion which runs our cars is fire magic. The growth and knitting of bones that hold us up and allow us to move is earth magic.

When we learn to see the elemental macro- and microcosm that encompasses, empowers and controls everything, we can understand the true nature and reality of magic. This understanding can only allow us to better harness and manipulate the forces that perhaps we take for granted when we cast a circle and whisper an intention. We even take these things for granted when we run a faucet or flip a light switch.

We are the microcosm. Our bodies magnificently reflect the union and continual dance and interplay of the elements that originate in the macrocosm. We are stardust, after all. Astrology tells us that we are at the mercy of the eternal waltz of the mighty, mysterious spheres Above, which themselves are made of the cosmic elements that descend into our realm Below and translate into the microscopic elements in our watery blood, our earthy bones, our breath, and in the fiery spirit that animates us.


To know the elements is to know magic, and therefore to know ourselves. Yet so many books and resources on magic cover dozens of different topics, methods, beliefs and ideas before they even mention “elemental magic”. This is utterly backward. The elements are the foundation. There is little point in telling people how to find their “patron deity” before even discussing the use of the elements in magic, as in “Inner Magic: A Guide to Witchcraft” by Anne-Marie Gallagher.

In her “Complete Book of Natural Magick”, Cassandra Eason waits three hundred pages before she even addresses “the magic of the elements”, and the word “element”, or any variation thereof, is nowhere to be found in her introductory explanation of “What is Natural Magick?”, despite references to physical nature.  

First of all, frankly, all magic(k) really is natural, whether two-hour ceremonial high magic, or two minutes in the woods with a stick and some saliva. The particles in your blood cells are as natural as the particles in Saturn’s rings, obviously simply existing and functioning on different levels.

And to discuss things like spellcasting and the differences between “white” and “black” magic (found in the first chapter in Eason’s book) long before discussing the elements and their roles in magic is a bit like teaching grade school children quantum theory before basic physics.

Much better resources for understanding the foundations of magic and nature can be found in far older texts by early mages, philosophers and occultists that many modern practitioners have probably never read, such as Paracelsus and Agrippa. In his first of “Three Books of Occult Philosophy”, Agrippa includes an early chapter aptly entitled “On the Virtues of Things Natural, Depending Immediately Upon Elements”.

b2ap3_thumbnail_Celtic-Ornaments-3-GraphicsFairy.jpgAll things natural, magic included, indeed depend immediately on the elements, and therefore the practice begins with them and fully understanding them. He also states that “There are…four Elements, without the perfect knowledge of which we can effect [affect] nothing in Magic.”

To approach the practice of magic in such an odd reversed state, as in so many modern texts, is to guarantee that you are going to misunderstand or altogether miss the very things that you are trying to learn and apply. Of course this leads to misapplication which means, at best, you are affecting nothing.

The Sun has returned and a new cycle has begun. This is an ideal time to refresh ourselves, our knowledge, our practices and our understanding. Even the most seasoned practitioner of magic or the most grounded and in tune pagan can always benefit from going back to the beginning and even questioning what they believe and why, and how much they really understand.

There is no plateau. We are never done learning or evolving. If you are in your forties and you still think and believe everything you learned when you were twenty, then you haven’t grown or learned.

Sometimes we all must, as Master Yoda advised Luke, unlearn what we have learned. There is always something new and enlightening to be discovered in what we think we already know, especially the vast, eternal and sometimes ineffable elements, elemental beings and powers.

Find some time in a frosty night or glistening dawn to sit amidst nature and yourself. Let go of names, institutions, redes, dogmas, man-made systems, materialism and indeed all “isms”.

Reflect upon this meditation or a similar prayer, incantation or evocation of your own, and reconnect yourself, your path, your magic to the natural essences of all existence.

How am I like this tree?
How is this soil just like me?
How does water keep me alive?
How does fire help me to thrive?
How is this air the first that I need?
Teach me, Earth mother, your natural creed
.



© 2018 Meredith Everwhite – All Rights Reserved

 

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Elementals and the Ineffable: Gods Not in Our Image

Man created God in his image. Before he (and I do mean he) decided to do that, humans venerated the powers and beings of Nature just as they were. They honored life-altering forces and powers that defied explanation, from the radiant rays of the Sun to the mysterious waters of woman’s womb, and all the delights and dangers of Nature in between.

These Nature spirits were held in the highest esteem, and propitiatory offerings were made to them. Occasionally, as the result of atmospheric conditions or the peculiar sensitiveness of the devotee, they became visible. Many authors wrote concerning them in terms which signify that they had actually beheld these inhabitants of Nature’s finer realms. A number of authorities are of the opinion that many of the gods worshiped by the pagans were elementals, for some of these invisibles were believed to be of commanding stature and magnificent deportment.” - Manly P. Hall, The Secret Teachings of All Ages

Earlier humans were in awe of the thunderstorm. They saw all of creation in the glistening surface of the seemingly endless sea that supplied them with food, tools and decor. They listened to the lapping, splashing rivers and the tingling whispers and caresses of the winds. They knew that there was something moving them that moved in everything else, something they could not see, but rarely, that they could yet feel and see the result of.

There was once a greater sense of the ineffable – of that which is unknowable and unspeakable. Now humans are obsessed with themselves and with “knowing” and speaking, labeling, explaining, defining, compartmentalizing, and have been for ages.

They have also become obsessed with something that H.P. Blavatsky called blasphemous: anthropomorphism. She argued that if God is infinite and uncreated, then God is not a being but an incorporeal principle and therefore should not be anthropomorphized.

Despite the obsession with knowledge, humans don’t seem to understand how little they know, how little they are capable of knowing. Yet they have gone to war over what they think they know. Over what they believe.

Though these are impressions I’ve been having for a long time now, it was the recent encouragement I seemed to feel emanating from the fragments of a pre-Socratic philosopher named Xenophanes that got me finally writing this. He poignantly observed over 2,500 years ago that

Mortals suppose that gods are born, wear their own clothes and have a voice and body. Ethiopians say that their gods are snub-nosed and black; Thracians that theirs are blue-eyed and red-haired. But if horses or oxen or lions had hands or could draw with their hands and accomplish such works as men, horses would draw the figures of the gods as similar to horses, and the oxen as similar to oxen, and they would make the bodies of the sort which each of them had.

Xenophanes cautioned against misconceptions of the divine based on human tendencies and flaws, and supported a view of religion based more on rationality than on traditionally held beliefs. Yet he was not an atheist or humanist by any means. His almost mystical views and references to multiple gods, as well as the One God, “neither in form like unto mortals nor in thought”, confirm this.

I assume that most reading this might understand that “the gods” are metaphors and symbolic energies and that they have been (or should only be) anthropomorphized to make them more relatable and to serve as embodiments of certain forces and ideals to which we may aspire to emulate (let me here firmly exclude the contrarily wanton and immoral ancient Greek gods with whom Xenophanes was disgusted) or at least learn from. We have created them. It has become a circle, as our creations influence us and take on energies just as thought forms.

However, clearly many Pagans still heavily and pointedly anthropomorphize, dogmatize, name and strictly define and take the existence, forms and human characteristics of their gods every bit as literally as Christians do.

So many of us have crowed over the blatantly stolen and thinly veiled "paganisms " displayed in Catholic and other Christian rituals and practices. Yet I see an ironic amount of Christianity play out in many modern Pagan writings, practices and attitudes.

It is no secret that most Pagans today have come screaming from Christianity or some offshoot thereof. So, it should be no surprise that many still bring with them much of the same attitude, belief, modes of worship and ritual, methods of “literalizing” and general understandings of deity and apply them to a pagan pantheon established by other mortals long dead, rather than to the decidedly masculine Christian “Trinity”, also established by other mortals long dead. Old habits die hard, after all.

I don’t think we need religion. Yet we don’t need to abandon notorious organized world religions to instead simply leaf through a catalog of alternative, indigenous spiritualities, gods and witchcraft and pick the regional aesthetic and system we like most (or a hodgepodge of several) and slap on the corresponding nametag either. At least not if we’re going to take every single thing as literally as Christians take everything in that old bugaboo, the Bible.

There are so many different names for the same thing. The One Thing, in fact. But also, many other things by which we are surrounded. 

There is a difference between Elementals and the One Thing; the Source; the original incomprehensible Universal Mind that is always becoming and never is. Yet the elements and the beings that inhabit them are a part and manifestation of that One; of what we mere, precious, silly humans, with our human opinions that Heraclitus called “toys for children”, cannot and will not ever begin to know or understand.

For, as my man Xenophanes says,

There never was nor will be a man who has certain knowledge about the gods and about all the things I speak of. Even if he should chance to say the complete truth, yet he himself knows not that it is so. But all may have their fancy.”

Indeed, Xeno. Let us have our fancies and our opinions, so long as we know that that is what they are, and that Zeus, Mithras, Jesus, Morrigan, Loki, Marduk, Amaterasu, Yemaya, Quetzalcoatl and the rest are just names. They are the creations of mortals. As such, they are little more than those names. But at their cores, what they represent and teach us are much, much more. 

The elements became “gods”. The sky above you is a god. The rains and rivers and oceans are gods. The flowers and the ladybugs that adorn them are gods. The mountain peaks and echoing caverns are gods. The trees, the animals, the flash of lightning and the howling winds are gods. All these things were so ages before any human deigned to give them - even the One - his own form and start naming them and saying what is so and what is not. None can say. None can know. We are surrounded by and composed of the magic of the ineffable and what we call God is not in our image.


© 2018 Meredith Everwhite – All Rights Reserved


Featured image: “Epiphany” 1940 by Max Ernst

References:
Insights into the Invisible World of Elemental Forces by H.P. Blavatsky
www.philaletheians.co.uk

The Secret Teachings of All Ages by Manly P. Hall

Internet Encyclopedia of Philosophy
www.iep.utm.edu/xenoph/

Xenophanes of Colophon: Selected Fragments
people.wku.edu/jan.garrett/302/302xenof.htm

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Recent Comments - Show all comments
  • Meredith Everwhite
    Meredith Everwhite says #
    It only creates an obstacle if it is taken too far or too literally. The Ineffable, by its very definition, obviously cannot be ex
  • Steve
    Steve says #
    Who can explain the ineffable? This seems to be a difficult concept for many to grasp, particularly those Christians you mentioned

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Sound and Silence

The real in us is silent; the acquired is talkative.” – Kahlil Gibran

In my first post here, “An Introduction to Creating an Element-Based Spirituality”, I pointed out that Native American tribes, in addition to the four elements, also include in a fifth element of Sacred Sound. Shortly after I published that, it occurred to me that this was something I might want to verify.

I had remembered reading (or hearing) it some time ago in what I had believed to be a reliable source but now I can’t even remember where I read it or, by extension, just how reliable it may have been. Nor have I even been able to find any references or information online regarding any such specific belief.

Naturally, I know that sound is indeed sacred and powerful in Native American tribes and culture, as is illustrated by its use for healing (among many other spiritual contexts) via flutes and drums. I know that the Thunderbirds are sacred and dwell in the watery quarter of the West. I know that many vocables and wordless chants were also used for multiple purposes.

However, I’m no longer so sure that there actually was believed to be a fifth element of sound, per se, as far as any Native Americans were concerned. This served as a reminder to me of just how much modern, “New Age” and “Neopagan” information and enthusiasm regarding Native American spirituality, while usually well intentioned, is often simply completely erroneous.

I am loath to spread misinformation or fall victim to misappropriation (these days often unfortunately confused with the relatively less harmful and seemingly inevitable term and action of “appropriation”), so unless anyone can comment and maybe enlighten me as to where I may have heard/read this or if it actually has any basis in truth, I will have to clarify that, while a nice idea, it may not be contextually accurate.

That being said, Sound is still a very powerful and sacred force and my search to correct myself led me to reflect on it and realize that maybe it can still be considered a sort of element. On the same token then, so too is Silence.

Many creation stories have to do with sound, a word or words being used to create realms and life. Or to destroy them. In the Finnish epic poem, Kalevala, the main hero is called a wizard and a minstrel, and his famous singing of legendary songs leads a young rival from the North to challenge him to a fantastic, mountain-crumbling, ocean-heaving duel of magical songs and chants that have power of their own.

Sound is vibration, more technically defined as pressure change, particle displacement, and simply the changing motion of molecules through matter. So, sound has the power to influence or create, but sound itself is the result of something else that already exists and that is moving and vibrating, thus putting out compression waves. Creating sound is a great power. In all our different practices we all know about names, words of power, of sacred songs, chants, mantras, etc.

We also know, at least on some level, that even all of our everyday words have power. Yet this seems to be something easily forgotten, particularly in an age where communication is made faster and easier all the time, yet ironically leads to more communications breakdowns and misunderstandings. “Raise your vibrations” is first accomplished by raising your standards of both behavior and speech, both of which put out and define your vibe.

How often do even the most intuitive, learned and “enlightened” of us still say things we don’t mean, things that hurt others, or that attract energy we’d rather not want? Probably far more than a lot of us realize. Perhaps you’ve known someone who simply loves to hear the sound of their own voice, someone who will carry on and on talking about everything they (think they) know, everything this god told them or that they read in that book or this UPG or that thing that so-and-so claims that is actually bullshit, so on and so forth? Or have you simply had your heart broken or your world turned upside-down by hateful or false words?

Well, ‘tis the season to be silent. Literally. We’re coming into Winter now, a time when life slows down (in theory, natural life anyway), much life even ceases, blankets of snow muffle the Earth and fluid, babbling water freezes up into her solid, silent form.




Water is a very relevant element this time of year. It is the only element – pretty much the only thing – that exists in three different states: solid, liquid and gaseous. What if we would truly “be like water”? What if we allowed ourselves to shift and adapt more naturally, to really mirror the energy of the season, to know when to flow and when to freeze? When to speak and when to be silent? There is such power in sound and speech, and there is just as much power in silence; in knowing when not to speak or make sound.

When was the last time you sat in complete silence for an extended period of time? I realize I might be putting the question to the wrong crowd, albeit rhetorical, assuming that many of you do indeed meditate in silence regularly, or otherwise spend significant time not talking, not typing away texts or emails, not blaring music or a show in the background. However, I think we could always use even more silence.

This is an overstimulating age in which so many people are competing to be heard, in which we often can’t go to any social setting and have conversations without everyone talking over and interrupting each other. There is still a general desire, even expectation, to fill everything up with sound, noise, talk, busy-ness, distractions. Much of this gives many people, or is the result of, an inflated sense of self-importance. Mankind in general has a terribly grandiose sense of self-importance and feels like it just needs to make noise because it can, like an infant shrieking while discovering its own voice.

Winter humbles us. Winter silences us. Winter wants us to go inward, to reflect, to think, to really know ourselves long before we start opening our mouths and letting all kinds of energy and noise spill forth. We need to learn our truths instead of trying to tell others what theirs are or should be, in any way. We need to know how little we know, and understand that even what we do know doesn’t have to be shouted out all the time. We need to enjoy the sound of silence.


After all, as Maurice Switzer put it, "It is better to remain silent at the risk of being thought a fool than to talk and remove all doubt of it."


Featured image: The Hermit (detail, enhanced) by Pamela Colman-Smith
"Seasons - Winter" by Erté

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Leave the Leaves Alone!

When your heart is heavy and needs to be uplifted, when your head is muddled and needs to be cleared, what better way to achieve those needs than to get out into the fresh, crisp autumn air for a leisurely walk?

The sky is bright blue and invigorating after two days of soothing overcast and rain, the cotton clouds are swift and shapely, and an enchanting breeze is singing through the lofty boughs of multi-colored trees...

Ah, all the elements are alive and stirring! What message has the wind for me? What words of wisdom and comfort can I hear in the dancing branches of the tr -

BRRRRRRRR! BRRR, BRRRRR, BRRR! BRRRRRRRRRR!!!!

Not just one invasive, pervasive leaf-blower on one block, not just two over the course of a few blocks…but seemingly endless leaf-blowers on any and every block! Leaf-blowers, leaf-blowers everywhere! And nothing else to hear!

Have none of you anything better to do on such a gorgeous afternoon? And just what is it you are even accomplishing?

Here is one guy (always a guy) just standing in his yard, blowing a small pile of leaves over the curb and into the street. Here is another a couple blocks later, I kid you not, just standing in the street and blowing a small pile of leaves over the curb and into his yard!

There are others on those blocks over there that I can’t see, but oh I can hear them, and what difference does it make which direction they’re blowing the leaves that the blessed wind is going to scatter however it wants as soon as they’re done?

What are you accomplishing and why? Is it a contradictory idle chore because you truly don’t have anything better to do? Is it a male thing? A "muggle" thing? A male muggle thing? Is it the pleasure of holding and pointing around yet another phallic tool and having even a modicum of fleeting control over one tiny, yet ubiquitous, part of nature?

Is it because those cheeky leaves can’t just lay where they fall, not on your watch? Are the ones in the street blocking that Escalade from getting through? Are the ones in your yard upsetting your dog and making him bark? Surely you want the leaves to do their job and decompose on your lawn and nourish your trees' roots and other growing things, right? No..?

Why can’t the leaves be left alone? And for the love of the gods, why the noise? Ever hear of a rake? Why the endless, merciless, accosting noise pollution, needless burning of fuel and the wasted minutes of barely rearranging the precious jewels of autumn? Can the leaves have no peace? Can I? 

If you want to truly enjoy the season, if you want to connect with nature and hear her subtle whispers, or if you even care enough to let others do the same, then please, I beg you…

Just leave the leaves alone!


© 2018 Meredith Everwhite - All Rights Reserved

Featured image: "Fire Red and Gold" by Eyvind Earle

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Ethereal Ways 2: Ilmatar, Goddess of Ether

If you were to ask your average pagan what deities come to mind in connection to any of the four main elements, most would probably have at least a couple ideas, if not a plethora. But does anyone in particular come to mind regarding the element of Ether?

As wonderful synchronicity would have it, I recently discovered a beautiful goddess who is in fact called “Ether’s Daughter”. Her name is Ilmatar, and she is the primordial mother of creation in Finnish mythology.

If you are enough of a fan of The Lord of the Rings, you may be aware that today, October 25th, is the day that the Council of Elrond occurred at Imladris. In honor of that (especially as we are in 2018 and the Council took place in their year of T.A. 3018!), it is most fitting to describe not only this elegant goddess, but how Professor Tolkien led me to discover her.

Tolkien’s Elvish language is strongly based upon Finnish, which is probably the most beautiful language I have ever heard and certainly it must have been to philologist Tolkien as well. Earlier this month, when I was watching the Appendices of the Extended Edition DVDs of the The Fellowship of the Ring, I was reminded of something I had learned when I saw them for the first time, years ago; that it was the epic Finnish poem Kalevala that largely inspired Tolkien to create the Elvish language and lore.

Somehow, I was finally really moved to actually look it up and read it. After sampling just the first few lines on the internet, where the poem can be found in its entirety in both English and Finnish, I knew I had to own a real copy and so ordered one the next day. I didn’t take me long at all to get a strongly intuitive sense of how much real magic and mystery was actually to be found within the lengthy text.

This was even confirmed for me by two 1888 reviews included at the beginning of the edition I had ordered, one from the Theosophical magazine The Path, as well as a review by Madame Blavatsky herself!  

The Path stated, “We have read the poem because it is full of Occultism and Magic, and shows the ancient Finns to have been believers in Reincarnation and other such theosophical doctrines. There is much in it drawn from ancient magic that will not be understood except by those who really know what true occultism is.”

In her review, Madame Blavatsky says, “The last proof in the universality in time and space of that grand system of philosophy, called by its disciples the Archaic Wisdom Religion, or the Secret Doctrine – comes to us from a little-known people, inhabiting a bleak, wild, and seldom-visited land. In the “Kalevala”, the national epic of Finland, we find many traces of the Archaic philosophy, some clear and luminous, others more veiled and hidden.”

The first runo, or rune, literally “poem”, is entitled “The Birth of Väinämöinen”, and tells mostly of that hero-shaman’s mother, Ilmatar, and the creation of the world before (and during and after) his birth.

In primeval times, a maiden,
Beauteous daughter of the Ether,
passed for ages her existence
In the great expanse of heaven,
O’er the prairies yet unfolded.
Wearisome the maiden growing,
Her existence sad and hopeless,
Thus alone to live for ages
In the infinite expanses
Of the air above the sea-foam,
In the fair out-stretching spaces,
In a solitude of ether,
She descended to the ocean,
Waves her coach and waves her pillow.

It is interesting to note that the primary elements named along with the anterior Ether are Air and Water. Perhaps we can surmise that those two elements are the ones most closely connected to, and alike in nature, the Ether. Many creation myths and their references to early forms of the world speak of an expanse of air, water or both; often a void and/or an abyss. Usually, no land is yet seen until the rest of the story unfolds.

Ilmatar’s name literally means “Female Spirit of Air”. She is also later named the “Water-Mother” when she becomes magically impregnated with Väinämöinen by nature itself, and gives birth to him into that primeval sea – the first water birth!

The element of fire mentioned in this first runo is within Ilmatar herself as she sits still in the sea to allow a wandering, hapless mother duck to lay her seven eggs upon her knee which rose like a hill out of the water.

Warmer grows the water around her,
Warmer is her bed in ocean,
While her knee with fire is kindled,
And her shoulders too are burning,
Fire in every vein is coursing.

The stiff, warming goddess cannot help but stir uncomfortably and so sends the seven cosmic eggs tumbling into the sea. They did not perish, but “transformed in wondrous beauty”, their fragments and contents forming the rest of the world.

Three different times are the directions of the movements of the three characters in this poem – Ilmatar, the duck, and Väinämöinen – described in a pointed order. Ilmatar swims east, then southward, west, then northward, creating a circle. The duck, searching for a place to lay her eggs, flies east, then west, then north then south, forming a cross. Finally, Ilmatar’s son and the primary hero and wizard of the rest of the epic, emerges into the sea from his mother’s womb and swims northward, then south, then eastward then west, also forming a cross but in a path opposite to that of the duck. This creates a well-known, beyond ancient symbol of an equal-armed cross inside a circle, which beautifully represents all of creation; all of life inside in the womb of the mother, and all the four elements inside the circle of Ether from whence they are born and which they also come together to form.

Use this symbol to meditate upon and connect to the beauteous, primeval maiden Ilmatar, as well as to all the elements and their sacred matrix, the Ether. She is a most comforting and empathetic mother goddess, who understands that

All this life is cold and dreary,
Painful here is every motion.

Or that, sometimes, it certainly can be.

We must begin at the beginning if we are to learn to harness the elements for magical workings or even to understand them, which of course we must do before we attempt to work with them. So many modern texts about elemental magic are seriously lacking in more than a passing reference to Ether, at least from what I have seen, so I hope this serves as at least an effective starting point to enlighten and inspire you.

By all means, visit www.sacred-texts.com and read this magical epic or buy a physical copy, which is always better!



© 2018 (All original material) Meredith Everwhite - All Rights Reserved


The above image is of Ilmatar, painted by Pirkko-Liisa Surojegin.

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