I would love to take you on a journey, one that leads us through the wilds of nature and back to the roots and bones of witchcraft, a natural witchcraft that works with the seasons and all the natural items that Mother Nature provides drawing on magical folk lore and a little bit of hedge witch and wanderer magic too. No fancy schmany tools or ceremonial rituals, this is about working with the source.
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Specific paths such as Heathenism, blended traditions, polytheist reconstructionism, etc.
For many people, the term 'Celtic music' conjures up images of foot-stomping fiddle music, skirling bagpipes, or ethereal vocals floating over a bed of synthesizers. All of these genres are evocative and have many fans around the world - and for good reason: the music is wonderful, quite diverse, and appeals to our senses on many levels.
However, none of this would be recognizable to a Celtic speaking person during the pagan period - bagpipes didn't appear on the seen until the late medieval era, fiddles were introduced a few hundred years ago, and synthesizers are of course quite modern....
The room is mostly empty. A strand of Tibetan prayer flags dangles listlessly from a single thumb tack. The white walls are punctuated with tiny pinhole dots, the last reminders of where posters and photos once lived. A thrift store desk, repainted many years ago, sits empty. The lack of homework and hair scrunchies and change hurriedly deposited there makes it seem even older and somehow smaller.
The offering bowl filled with cleansing herbs floats alone on a sea of beige carpet. The charcoal is lit. A single, curling tendril of smoke rises from the center, and I close the door....
Captain Flint from Black Sails...
THE TRADITIONAL WITCH’S CALENDAR: MARCH...
When I mention the Minoans of ancient Crete, the first thing that comes to mind for many people is the famous Snake Goddess statues. For us modern folks, they are icons of this ancient civilization. But what, exactly, do they represent? If we're really honest, the answer to that question is, "We're not sure."
There are many theories, of course. I think that falls under the rubric of "Everyone has an opinion." But we simply don't know for sure because we don't have any Minoan-era documents that tell us anything about these figurines. Linear A, the script the ancient Minoans used to write their native language, has never been deciphered. And the few documents we have that are written in Linear B, the script that records Mycenaean Greek from the time toward the end of Minoan civilization, don't say anything about snakes....
I spent my adolescence listening to Nana Mouskouri: sentimental, schmaltzy songs, yes, and none more so than “I Have a Dream.” Yet the lyrics have stayed with me:
I'll bring to you the secrets of my life
Like petals in my hand and you will understand…
Demand of me all that I have to give
And while I live I'll give it gladly
Command me to deny the world I knew
I'd give it all away if you but asked me to.
It used to make me a little weepy back then. Perhaps it still does. The singer addresses a unknown beloved, who may only be a figment of her longing. But that longing was one I shared. The idea of complete surrender had a strange attraction, as did the undefined perfection of the distant lover. It doesn’t really leave us, this need for a deeper solace, for intensity of experience and blissful oblivion both. We may direct our desires to gods or lovers or just into the void of mystery, but deep down we know—or hope we know— that somewhere out there is the beauty our souls were made for.
But lovers disappoint and gods remain elusive.