Paganistan: Notes from the Secret Commonwealth

In Which One Midwest Man-in-Black Confers, Converses & Otherwise Hob-Nobs with his Fellow Hob-Men (& -Women) Concerning the Sundry Ways of the Famed but Ill-Starred Tribe of Witches.

  • Home
    Home This is where you can find all the blog posts throughout the site.
  • Tags
    Tags Displays a list of tags that have been used in the blog.
  • Bloggers
    Bloggers Search for your favorite blogger from this site.
  • Login
    Login Login form

On the Mechanics of 'Idolatry'

This is a statue, not a river.

This is not the Mississippi. It is a statue of the Mississippi.

Yet, everyone will agree, in some mysterious way, this statue makes the Mississippi present.

The mechanics of just how this making-present occur are, to be sure, a matter of perennial debate among the wise. The question of agency is a particularly interesting one.

But that it actually happens, we can all agree.

Religion is a technology for making-present the sacred. The gods make themselves present in many different ways.

And for some of us, they do so through art.

 

Larkin Mead, Mississippi: Father of Waters (1904)

Minneapolis City Hall

 

 

Last modified on
Tagged in: idolatry idols
Poet, scholar and storyteller Steven Posch was raised in the hardwood forests of western Pennsylvania by white-tailed deer. (That's the story, anyway.) He emigrated to Paganistan in 1979 and by sheer dint of personality has become one of Lake Country's foremost men-in-black. He is current keeper of the Minnesota Ooser.

Comments

Additional information