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Posted by on in Culture Blogs
Beholding Mystery

If I had to compare our Samhain to anything, it would be to the Eleusinian Mysteries.

Of course, the comparison is inexact, and maybe even a little misleading. Certainly we did not—consciously, at any rate—structure what we do on the ancient Mysteries of the Barley Mother. In fact, although we've been enacting this ritual for more than 30 years now, the analogy with Eleusis has only just occurred to me: interestingly, as I attempted to describe it to a first-time guest.

Really, though, such a resemblance is hardly to be wondered at. That Mystery should variously speak a like tongue in different times and places should surprise no one.

As such, the immemorial principle of Holy Silence obtains. There's much that I cannot tell, nor would I if I could.

But this much I may say.

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Posted by on in Culture Blogs
Rock Geode Power

Geode jewelry can bring you success at work. At my favorite metaphysical five-and-dimes, I have been seeing baby geodes that can easily be glued to a fabric choker band or are already in pre-made pendants. If you are feeling like you are in a slump at work or want to impress the boss, begin wearing a pretty and professional geode necklace and things will be looking up soon! If this style is not for you, just buy a geode, set it on your desk, and look at it while picturing yourself climbing the ladder of success.

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Posted by on in Culture Blogs
Dumber Than a Table

In the days of Bush One, there lived a bulldog named Mabel.

Even as bulldogs go, Mabel was not exactly, shall we say, the brightest candle on the altar.

And this was her song:

The Mabel Song (1)

(To the tune of: Dreidel)


I know a dog named Mabel:

she has a corkscrew tail.

She's dumber than a table,

but smarter than Dan Quayle.

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Recent Comments - Show all comments
  • Steven Posch
    Steven Posch says #
    As always, Mabel tells it like it is. Thanks for channeling!
  • Carol P. Christ
    Carol P. Christ says #
    Dumb I am not Steve You're a snot. But she loves you anyway I am sure.

Posted by on in Studies Blogs
Bone & Spirit

As Halloween and the Day of the Dead approach, I see more and more skulls both cheery and eerie decorating homes and businesses. This year I have seen them in greater abundance than in previous years. This may be true or it may be that I am taking better note of them. To be truthful, I have some skulls that are decor and some that are altar pieces that grace our home year round. Last night I took a crystal skull out of one of our cabinets and sat it on the table, and took a contemplative ramble.


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Ethereal Ways 2: Ilmatar, Goddess of Ether

If you were to ask your average pagan what deities come to mind in connection to any of the four main elements, most would probably have at least a couple ideas, if not a plethora. But does anyone in particular come to mind regarding the element of Ether?

As wonderful synchronicity would have it, I recently discovered a beautiful goddess who is in fact called “Ether’s Daughter”. Her name is Ilmatar, and she is the primordial mother of creation in Finnish mythology.

If you are enough of a fan of The Lord of the Rings, you may be aware that today, October 25th, is the day that the Council of Elrond occurred at Imladris. In honor of that (especially as we are in 2018 and the Council took place in their year of T.A. 3018!), it is most fitting to describe not only this elegant goddess, but how Professor Tolkien led me to discover her.

Tolkien’s Elvish language is strongly based upon Finnish, which is probably the most beautiful language I have ever heard and certainly it must have been to philologist Tolkien as well. Earlier this month, when I was watching the Appendices of the Extended Edition DVDs of the The Fellowship of the Ring, I was reminded of something I had learned when I saw them for the first time, years ago; that it was the epic Finnish poem Kalevala that largely inspired Tolkien to create the Elvish language and lore.

Somehow, I was finally really moved to actually look it up and read it. After sampling just the first few lines on the internet, where the poem can be found in its entirety in both English and Finnish, I knew I had to own a real copy and so ordered one the next day. I didn’t take me long at all to get a strongly intuitive sense of how much real magic and mystery was actually to be found within the lengthy text.

This was even confirmed for me by two 1888 reviews included at the beginning of the edition I had ordered, one from the Theosophical magazine The Path, as well as a review by Madame Blavatsky herself!  

The Path stated, “We have read the poem because it is full of Occultism and Magic, and shows the ancient Finns to have been believers in Reincarnation and other such theosophical doctrines. There is much in it drawn from ancient magic that will not be understood except by those who really know what true occultism is.”

In her review, Madame Blavatsky says, “The last proof in the universality in time and space of that grand system of philosophy, called by its disciples the Archaic Wisdom Religion, or the Secret Doctrine – comes to us from a little-known people, inhabiting a bleak, wild, and seldom-visited land. In the “Kalevala”, the national epic of Finland, we find many traces of the Archaic philosophy, some clear and luminous, others more veiled and hidden.”

The first runo, or rune, literally “poem”, is entitled “The Birth of Väinämöinen”, and tells mostly of that hero-shaman’s mother, Ilmatar, and the creation of the world before (and during and after) his birth.

In primeval times, a maiden,
Beauteous daughter of the Ether,
passed for ages her existence
In the great expanse of heaven,
O’er the prairies yet unfolded.
Wearisome the maiden growing,
Her existence sad and hopeless,
Thus alone to live for ages
In the infinite expanses
Of the air above the sea-foam,
In the fair out-stretching spaces,
In a solitude of ether,
She descended to the ocean,
Waves her coach and waves her pillow.

It is interesting to note that the primary elements named along with the anterior Ether are Air and Water. Perhaps we can surmise that those two elements are the ones most closely connected to, and alike in nature, the Ether. Many creation myths and their references to early forms of the world speak of an expanse of air, water or both; often a void and/or an abyss. Usually, no land is yet seen until the rest of the story unfolds.

Ilmatar’s name literally means “Female Spirit of Air”. She is also later named the “Water-Mother” when she becomes magically impregnated with Väinämöinen by nature itself, and gives birth to him into that primeval sea – the first water birth!

The element of fire mentioned in this first runo is within Ilmatar herself as she sits still in the sea to allow a wandering, hapless mother duck to lay her seven eggs upon her knee which rose like a hill out of the water.

Warmer grows the water around her,
Warmer is her bed in ocean,
While her knee with fire is kindled,
And her shoulders too are burning,
Fire in every vein is coursing.

The stiff, warming goddess cannot help but stir uncomfortably and so sends the seven cosmic eggs tumbling into the sea. They did not perish, but “transformed in wondrous beauty”, their fragments and contents forming the rest of the world.

Three different times are the directions of the movements of the three characters in this poem – Ilmatar, the duck, and Väinämöinen – described in a pointed order. Ilmatar swims east, then southward, west, then northward, creating a circle. The duck, searching for a place to lay her eggs, flies east, then west, then north then south, forming a cross. Finally, Ilmatar’s son and the primary hero and wizard of the rest of the epic, emerges into the sea from his mother’s womb and swims northward, then south, then eastward then west, also forming a cross but in a path opposite to that of the duck. This creates a well-known, beyond ancient symbol of an equal-armed cross inside a circle, which beautifully represents all of creation; all of life inside in the womb of the mother, and all the four elements inside the circle of Ether from whence they are born and which they also come together to form.

Use this symbol to meditate upon and connect to the beauteous, primeval maiden Ilmatar, as well as to all the elements and their sacred matrix, the Ether. She is a most comforting and empathetic mother goddess, who understands that

All this life is cold and dreary,
Painful here is every motion.

Or that, sometimes, it certainly can be.

We must begin at the beginning if we are to learn to harness the elements for magical workings or even to understand them, which of course we must do before we attempt to work with them. So many modern texts about elemental magic are seriously lacking in more than a passing reference to Ether, at least from what I have seen, so I hope this serves as at least an effective starting point to enlighten and inspire you.

By all means, visit and read this magical epic or buy a physical copy, which is always better!

© 2018 (All original material) Meredith Everwhite - All Rights Reserved

The above image is of Ilmatar, painted by Pirkko-Liisa Surojegin.

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Posted by on in Studies Blogs
Witches, Fairies, and Hallowe'en

 When people think of Halloween, or from a more pagan perspective Samhain, the image of witches comes quickly to mind and it may be the single day of the year most strongly associated with witches in Western culture. Yet there is another layer to Halloween that also intersects with witchcraft and witches but isn't as commonly acknowledged in mainstream culture and that is fairies. Halloween and the general period of time around Halloween has long been known in the folklore and folk practices of the various Celtic-language speaking countries to be a time when the Good Folk are more active and more present.

The connection between witches and fairies more generally is complex and multi layered. Scottish witches who were brought to trial mentioned dealing with fairies as often as dealing with demons and were as likely to say they had sworn themselves to the Queen of King of Fairy as to the Christian Devil. This is discussed in Emma Wilby's books 'Cunning Folk and Familiar Spirits' and 'The Visions of Isobel Gowdie' and touched on in Davies 'Popular Magic' which all review various material from the Scottish witchcraft trials in which confessed witches talk about their connections to the fairies. We also see references to both Irish witches and mná feasa [wise women] who learned their skill from the Good Neighbours, as well as specialists called fairy doctors in English who were supposed to have been taught by the fairies (Daimler, 2014). This overlap, briefly summarized here, was one where the witch might both serve Fairy and also be served by it. 

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Posted by on in Culture Blogs
Earth and Fire Elements: MAMMALS

Earth Element:
With its bounty, the land sustains life. The plants and trees that grow on the earth nourish us and replenish our air. The earth provides the structure by giving us a firm foundation for our lives. The rocks are the bones that we build our homes on.

Brown Bear:
Brown bears are one of the oldest recorded totemic beings. Ancient legends tell of people sharing caves with bears. (People were contemporaries of cave bears (Ursus speleus) in Eurasia.) Early people often sought permission from the elders and from the bears themselves, before hunting a bear. Brown bears are powerful shamanic beings that connect people with Mother Earth through their caves.

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Recent Comments - Show all comments
  • Virginia Carper
    Virginia Carper says #
    Thanks for both. Interesting about Finnish Bear beliefs. The bear seems to be an universal animal for many cultures. The Ainu of
  • Meredith Everwhite
    Meredith Everwhite says #
    Fun fact, the specific term for bear worship is "arctolatry", which literally means just that. Came across it recently in my resea

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