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Witches and Pagans magazine including newWitch and PanGaia - Earthwise Spirituality for Today
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Witches & Pagans -
People
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Written by Phil Brucato
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A Seattle basement, mid-winter. The room swarms with eager fans. Each person, it seems, knows the words to every song belted out by a slender pixie in a jester’s cap. FaerieWorlds, 2007. A blue-braided power-house whales on a bodhran, sending hundreds of bright-clad neo-tribals leaping happily through the air. Sunday morning barefoot boogie. Dozens of dancers gyrate to a song they’ve never heard before. Grabbing the chorus, they sing: The circle is here/ It lives in each of us/ In perfect love/ And perfect trust. This is the magic of S. J. Tucker, and if you haven’t heard of her yet, you will.
S. J. Tucker is a self-made Pagan performing artist. The “folk” label is too limited to hold her. Although she seems at first glance like a simple “guitar chick,” in truth she’s a glittering badass of fire-spinning verve. Musically, “Sooj” ranges from a capella Gospel to World Fusion technobeats. Combining theatrics and mysticism with info-tech savvy and spirited attitude, Tucker defies expectations. Despite her elfin appearance, this “skinny white chick” has a roaring voice and thousand-yard stare. Like Ani DiFranco and Jonathan Coulton, she’s a product of timeless artistry and postmodern opportunity. Though bardic in tradition, S. J. Tucker is fully an artist of Now.
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Witches & Pagans -
Departments
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Written by Tess Dawson
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I casually flip through the bumper stickers at a metaphysical shop. One sticker in particular catches my eye, and I cease shuffling them. This sticker, with its cheery gold background and Celtic knot work border, proudly proclaims “Christianity has Pagan DNA!” Certainly the scribe of this phrase does not mean this literally, but rather simply means that Christianity was born of polytheistic roots.
Although I cherish the attitude of the phrase, the wording leaves me disconcerted. I know this as a “truism,” something I feel and understand is true, if limited. I’ve never encountered any biblical passage reading, “And you shall cut down an evergreen, yea, and bring it into your house each twenty-fifth of December,” nor have I found reference to the three kings wassailing the cedars of Lebanon.
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Witches & Pagans -
Practice
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Written by Craig Conley
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Wordsmith Craig Conley muses on a magical word that’s also a proper name.
Delving through dusty old tomes in search of ancient expressions of enchantment, I noticed that one command in particular seemed to trace directly back to Faery. I was searching for subtle, mysterious, transformative words, whose vibrations seemed to transcend the laws of physics. One such mystical word proved time and time again to be the name of a great lady Faery. Small wonder that her name has endured as the best-known and best-loved magic word in recorded history.
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Witches & Pagans -
Culture & People
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Written by Satyrblade
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Life bleeds. Life is raw. Life has teeth and bones, sinew and skin. For all too many of us, though, life is a plastic paradise filled with toothless distractions and virtual vitality. We live our lives surrounded by computer monitors and neutered beasts, claiming to love a feral inheritance but doing little to cherish that legacy.
Lupa wants to change that.
By way of her blogs, the website she shares with her husband Taylor Ellwood, and — best of all — the books they both edit and author under the Megalithica imprint of Immanion Press, Lupa is trying to bring the Wild back to the wasteland of plastic Paganism. Sure, she lives in a modern home; she and Taylor maintain active web presences… and yeah, they're total geeks. Still, Lupa refuses to settle for an air-conditioned life that's factory-sealed for her protection. Lean, fit, and active, she lives the path she describes, and inspires others to do likewise. A shaman in deed as well as name, Lupa favors the raw edge of modern magic, working up a new future with her hands in the soil, in fur, and occasionally even in blood.
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Witches & Pagans -
Web Exclusive
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Written by Diane Morrison
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It has been my experience that many people get involved in Wicca because they like the lack of rules. We don’t have a lot of “Thou shalt nots.” All we have is the Witch’s1 Rede, they say. But there are many unspoken rules of ethics that we think of as being essentially “Wiccan.” Why? Where do they come from?
The answer should be self-evident but often isn’t. What is the one piece of liturgy that Wiccans really have? The answer is the Charge of the Goddess.
Most modern Wiccans treat this prose as a lovely way to invoke the Goddess. It does work well that way. But consider the original meaning of the word “charge”. It is a command, a responsibility laid upon someone, an exhortation, a duty, an injunction, or being entrusted with someone’s care. It is a series of rules!
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