Yuletide is upon us. Time for wassail, the Yule log, and of course, hunting the wren!
The Wren is a small brown bird, common throughout Britain, Europe and North America. But the wren is a very sacred bird, and holds a place in British myth and in Yule lore. Called The King Of The Birds, the Wren is a symbol of the Old God, or Holly King, and of the death of winter. This smallest of birds is known in story, myth and folk song, often simply as The King. Here is an excerpt from my book The Flowering Rod:
Mabon is the Sabbat where the focus of the wheel of the year goes from Life and growth to Death and the harvest. It is when the young God experiences death and begins his journey to the Underworld. It is also when the White Goddess begins her descent to the Underworld to take her rightful place as the Queen of Death. The Welsh figure of Blodeuwedd is an often ignored facet of the Queen of Death.
Blodeuwedd is a Goddess that modern audiences have a hard time viewing outside of the lense of our industrial, patriarchal culture. Blodeuwedd, who comes to us in the Fourth Branch of the Welsh Mabinogion, is a woman created out of the flowers of the forest by the Gods Math and Gwydion who need a wife for Gwydion’s son Lleu; Lleu has been cursed by his mother, Arianrhod, to never take a human wife. Blodeuwedd’s story is often seen as one of rape and revenge, similar to the way the Arthurian legends are often treated. It is a story that most people never try to reconstruct with the meaning it might have had to pre-Medieval Welsh listeners. For modern listeners, Blodeuwedd is not seen as the White Goddess that she is; she is viewed as a woman torn between two lovers, such as the Medieval Iseult, or Shakespeare’s Juliet, and the tale of the two Gods/men (Lleu and Gronw) becomes one of lust and revenge.