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Posted by on in SageWoman Blogs

b2ap3_thumbnail_Erato-pencil-sketch-lowres.jpgI don't always have much to say about my actual artwork as the Muse presents Herself, but this time I feel compelled to explain. This is a very quick pencil sketch on cheap copy paper, the result of this muse's urgent desire to come forth and be recognized, whether or not I was prepared to receive Her.

The result came off looking more like Lady Liberty than any Goddess I recognized. Except for the wings, and She was pretty insistent about those wings.

It turns out that Erato can be identified by the crown of roses wrapped around her head. Well, there is certainly a crown – and roses. Sometimes my envisioning comes through a bit more literal than the Muse might intend.

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Posted by on in Studies Blogs
Eros, Movement, and Magic

In my previous post I discussed the elemental balancing ritual and explained how I'd moved from a traditional elemental model to a non-traditional approach to elements. With this post I'd like to share my work with the element of Movement as mediated by Eros.

I always get an idea of which element I'll be working with next about halfway through the year of the prior elemental working. In the case of movement, what told me it would be the next element was how I came across several references to movement in relationship to identity. Since I am continuing my work with identity as a principle of magic, I knew it was essential to explore movement in relationship to magic.

I've also been reading a lot of R. J. Stewart's work and in one of his works he discusses the relationship that Eros has to movement, and how movement is a primal force of the universe. Reading that struck me and I felt a strong sense of connection with Eros. I did a ritual to him, asking him if he was the entity that could mediate the element of movement for me and he indicated he could but I would need to get a statue of him if I was to work with him. I got the status shortly before the transition from the element of Fire to the element of Movement.

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